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Carmen in the Morning

September 27, 2012

 

Born in San Francisco, nineteen forty-two
First thing my Daddy say was, “Son,
that Carmen O’Shaugnessy gone make a fool of you.”


uc hospital 2

Whenever I think about getting born, I think of UC Hospital, where they dragged me from my mother’s womb one rainy morning, and whenever I think of UC Hospital, I think of how it looks from Children’s Playground in Golden Gate Park in San Francisco,

DCF 1.0

and whenever I think of Children’s Playground, I think of Carmen O’Shaughnessy.

margaret o'brien

Carmen was more beautiful than Margaret O’Brien, the famous child star, and she wore her honey-blonde hair in braids like Margaret O’Brien did. They streamed out behind her when she got going on the swings, which was the only way she ever swung, getting higher faster than any of the boys and laughing with joy and pride. Except sometimes she let her hair blow free. Then I couldn’t look away, even when she made faces at me.

1948 rabbitville childens' playground

In my memory, it’s always Saturday morning. Chickens are running round the playground because they haven’t been scared back into their safe little barnyard yet. Carmen is wearing brown corduroy bib overalls with a striped tee-shirt under it, and Keds. In those days, Keds meant black high top basketball shoes.  They were for boys only. Girls were supposed to wear white lace-ups or black patent-leather Mary Janes with a strap across the top. But if you tried to tell that to Carmen, she’d grin at you and run away. So I didn’t say anything. Who would want Carmen to run away?

I dreamed about Carmen again last night, for the first time in years. In the dream I spent long hours inventing carefully nuanced speeches so sincere she would finally love me and never leave me anymore. I spent night after sleepless night like this when I was twenty-three. But I’m old now.

I woke alone in the darkness with my mother’s voice in my ear. “Chris! Watch out!” She was trying to wake me up. That was part of the dream too. But I did wake up, and I was too spooked to go back to sleep. I was sure I’d heard her.

Carmen, why won’t you leave me?

 

 

Rabbitville photo courtesy of the San Francisco Public Library.

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Roots of West Coast Psychedelic Rock

August 24, 2012

Roots West Coast Psych Rock

Sopwith Camel at the Old Stonehouse Brewery!
www.sopwithcamel.org

This came in the mail yesterday so I put up a little notice about it on my Facebook page.  The Pig rates it as an unmissable show. I’d be rooting there myself if I didn’t live 900 miles away.  The responses got into a conversation about some of the early San Francisco ballroom bands, the meaning of ‘psychedelic music’, etc. etc. so I thought other pig fanciers might be interested too.  Following is an edited version of the thread.

For those of you who aren’t familiar with California, Nevada City is a town in the foothills of the Sierra Nevada, in what is called the gold rush country…

Here’s my original Facebook post:

Actually, in the roots period, none of these bands were playing acid rock. Sopwith Camel had more of a folk-rock oldtimey sound, Mike was playing lead guitar with the legendary Charlatans, and Sal wasn’t even on the scene – he was still with the Beau Brummels, who were busy cashing in on the British Invasion sound. Psychedelic rock was pioneered by the Jefferson Airplane, Big Brother and the good old Grateful Dead.

Tzila Z Duenzl. Charlatans!!!  Hadn’t thought of them in a long time. In my time in the Haight, hanging with all the musicians, they were a big part of the scene.

Kurt Stix Stine. Yes they were, and they were always together stretchin their long legs down the ave with their very long hair flowin. I remember them well. Also remember the Sopwith Camel very well, “Hello hello. I like your smile …” I can’t believe they’re still performing together. Hell, I can’t believe any of the bands from our era are still performing!

Loved the Beau Brummels with “Laugh laugh”, but even more than them one of my favorites from that time was The Blues Project with “Violets of Dawn”, but they never caught on with the masses like the Airplane & Big Brother did.

Ponderpig: Yeah, the Blues Project was a bit ahead of the curve. Also, they were a New York band if I remember right and may have been a lot bigger in the East.

Kurt: They were from the same scene that Dylan started in, Greenwich Village. Al Kooper actually played organ with them after he played for Dylan on Highway 61. That was a funny story too, Kooper came into the Dylan studio hopin to play backup guitar and they said they only needed an organist so he said he could play even tho he couldn’t. The notes he pounded out on that organ are more vivid in my memory than any other instrument in that song.

Ponderpig: I figure that story has to be a legend – Kooper’s Hammond is absolutely essential to Dylan’s sound in that period. As you say, it’s unforgettable. Dylan couldn’t have got lost in Juarez without it. The guy had to have fussed around around with it at home at least.

Kurt: No, when he went into the studio they pointed to the organ and said “Play” :) ) On a disc of his he went into how he stumbled into that gig.

Here  is The Blues Project’s song “Violets of Dawn”:

Daily Flash Side Trip

Kurt: lookin in YouTube I was surprised to see that friends from Seattle, The Daily Flash, covered the song. Daily Flash actually made it down to the Avalon Ballroom as a headliner followed-up by Country Joe and the Fish.

Remember the Daily Flash, Pig? They always performed at The BFD on Denny Way & 9th downtown Seattle. Man, that place was a legend back then, there and also the Spanish Castle out on Hwy 99 (Hendrix wrote ‘Spanish Castle Magic’, about that place, I’m sure), and then the Aquarius way out on Aurora Ave.

Ponderpig: Hey, I remember The Daily Flash. They played the Avalon Ballroom one weekend. I still remember one of the songs they played that night, even tho I only heard it that one time: “She used to love to dance the Grizzly Bear, I guess she went to Frisco to dance it there, cause when I woke up this morning, she was gone…solid gone.”

Kurt: Hehe, yeah funny song. I knew the drummer, Jon Keliehor, guitarist Steve Lalor, and bass player Don McCallister. Funny story about McCallister, he got busted for smack so couldn’t play in Vancouver BC, so they put another friend out front on stage pretendin to play base, and Don was behind the curtain, playin & singin.
The songs they’re most remembered for are Dylan’s “Queen Jane Approximately”, and “Jack of Diamonds”, but the one I liked the most was “The French Girl” —-
Here’s link to their website, and it says the Grizzly song was a Youngbloods song: http://www.rhinoceros-group.com/dailyflash.htm

I’ve got their poster from that night, got it from WolfgangsVault.com

http://images.wolfgangsvault.com/the-daily-flash/poster/memorabilia/FD031-B-PO.jpg

images.wolfgangsvault.com

Kurt: And if anyone has this handbill of their previous night there in May, it’s worth $3,600!
Performers that weekend were:
The Daily Flash The Rising Sons
Big Brother and the Holding Company
The Charlatans
Bill Ham
http://images.wolfgangsvault.com/the-daily-flash/handbill/memorabilia/FD007-HB.jpg

Ponderpig: Believe it or not, Kurt, I do have that poster – or the handbill of it anyway. And it’s probably worth even more because my friend Melanie Kinkead colorized it with her Pentel pen set at the kitchen table one night when we were all stoned.

Kurt: Bummer, just read the website about the Flash and Don McCallister OD’d back in the early 70′s. I think I related best with him. Liked Steve and it was easy to know him because of his outgoing personality. At least he’s still kickin & playin. I remember my first impression of John Keliehor was he was a class person. He became a studio drummer, and glad to read how successful he became by followin his soul.

Sopwith Camel’s Peter Kraemer Joins The Conversation

Peter A. Kraemer: Actually, Christopher, we were making up songs on stage at the Fillmore and opened for Richard Alpert and Allen Ginsburg. You might also refer to one song on our first album”Frantic Desolation” (no. 5 chronologically on the Rolling Stone list of American Psychedelic recordings).

If it matters we also played some old-timey tunes and were frequently on acid while doing so. I made the e-flyer at the top of the page as sort of a joke; “Psychedelic rock poster” and people said “what’s psychedelic about it?” I think that means that the word has become commodified and now it just means “tie-died” or has Wes Wilson retro lettering. BTW, The Airplane and the Dead were mostly real “folkies” and were doing lots of covers for the first year or so. The Charlatans were the first “psychedelic band’ and most of their set was “old timey” stuff. The Beau Brummels were right on the cusp and Sal went well over the edge with Stoneground. We had the first hit from the psychedelic ballroom scene and it was inspired by the piano players in the bars in Virginia City that i frequented in in my childhood. Same place the Charlatans started getting psychedelic, same place that rock with lichen is. How the recordings from that period came out were influenced largely by the record companies and as soon as “psychedelic” became a marketing tool there were a lot of screechy cliches. In the real world at the Fillmore and Avalon however what was “psychedelic” was what happened in the moment, and stuffing things into categories wasn’t happening.

Raymond J Hutson. Don’t forget Sgt.P.L.H.C.B.

Kurt: Puddy Lovin Hard Core Bastard?

Peter: I think the story goes that the style (psych) started in England and the Charlatans were the first US band called that. We all listened to Srt. Puss of course. And you might recall that the Beatles and the Stones both did old music hall style tunes on their early psychedelic records.

Roots Lineup Rationale

So, here’s the rationale for the “roots of” line up. Sal had the last SF pre-‘psychedelic ballroom scene’ hit, Sopwith Camel had the first. Mike Wilhelm was in the first American band to be described as psychedelic. That all tends to be pretty early.

I find it interesting that Sal was dissed by the gatekeepers of psychedelic as soon as they got their record deals etc. How certain people who did more to glamorize heroin and crank than LSD became the gatekeepers might make an interesting topic.

Ponderpig: Hey, no fleas on the Sopwith Camel. In the 1966 era they were one of the most popular bands on the circuit, as the many posters featuring their name give evidence. I saw many of their shows back in the day because I liked their music. And I thought the Charlatans on a good night were the best dance band out there. Acid rock wasn’t really that much fun to dance to and I was one of the dancing hippies. I loved to get out there on the floor and shake my booty, but when James Gurley went into one of his 15 minute avant-garde solos, we just sat down and listened. That doesn’t mean I didn’t like Big Brother – they were just different.

Peter: In ‘66 Big Brother’s big tune was “In the Hall Of the Hollow Mountain King,” a pretty tightly arranged number.

Kurt: Chet was right to match Janis with BBHC. They didn’t really float my boat until she appeared with them at the Avalon. I was there that first night with Nick Poulos, and Nick was on Janis like white on rice while we talked with her durin a break. From that night on I was always front-center stage to watch her sing, whatta woman.

Peter: We were only in the ballrooms for the summer of “66. Lived in the Fillmore and jammed all night in a huge wooden attic. One our main tunes at the Fillmore and Avalon was a 20 minute jam to the bass line from 2120 Michigan Avenue. Years later I was sitting with Richard Brautigan and he was asking me about his favorite lyrics of mine from that time. Couldn’t help him because I had made them up fresh every night; the only consistent words were also the title, “Turn On!”

Ponderpig: Peter, I don’t remember the psychedelic gatekeepers or anybody else dissing the Beau Brummels. I don’t remember anybody saying anything about them. They were not part of the scene, period. It would have been like dissing The Vejtables or We Five, both perfectly good Bay Area bands that never played the Matrix or the ballrooms. (I’m not counting Tom Donahue’s short-lived “psychedelic” nightclub, Mother’s) The Beau Brummels were off in another world somewhere.

Peter: True about the Beau Brummels. I just think they might have felt dissed. Hard to figure why they didn’t make the transition; they were a Tom Donahue band. I’ll ask Sal next week.

But that’s why I called it “Roots”, because one day the popular SF Bands were the Vegtables and We Five and the next day they were out and the Charlatans were in. Same flowerpot, something changed in the roots. British bands went psychedelic, no problem. Wonder if it’s something in the “Biz”.

Michael Wilhelm: Think it was because the Vejtables didn’t come out of the S.F. scene. Weren’t the We Five a Frank Werber group? They were considered commercial or something…they had some weird kind of molded image, with the drummer playing behind a curtain…if he’d been on stage they would have been the We Six…what a strange business.

Kurt: Hehe, image indeed! Here they are doin the Ian & Sylvia song “You Were On My Mind” (loved that song) They even show the missing drummer. Plus they were introduced by living legend Fred Astaire.

We Five – You Were On My Mind (Live On Hollywood Palace)
http://www.youtube.com
Here’s a lip-sync version in black & white that better defines their appearance & style. Love her Go-Go Boots .

We Five – You Were On My Mind www.youtube.com

Peter: Mike, I get why no We Five and Vegtibles; they actually seemed to be from LA. Just can’t remember why the Beau Brummels were out. Wasn”t Tom Donahue some kind of arbiter of the hip? I suspect they were as ready to go acidy as anyone else in those days. I mean, the Beatles had pop hits before they did “Day in the Life” and the psychedelia was largely provided by George Martin and the London Phil.—-I’m confused.

Anyway we can have panel discussion in Nevada City. “So Sal how did you feel about not playing the Matrix?”

The missing question is “Hey Mike, was Codeine a psychedelic?” Answer to the Codeine question: Depends who took it.

Ponderpig: One last thought about the late unlamented We Five: they were a Marin County group for sure, same as Quicksilver Messenger Service. The young Lisa Law took a lovely photo series of them in a big house in Coldwater Canyon or somewhere along those lines. I don’t remember the Vejtables’ music but I remember they had the first chick drummer I had ever seen and that was very cool. I saw them perform twice, first at a KYA battle of the bands type event – possibly the seminal Rolling Stones 1965 show at the Civic Auditorium, and a little later at Mother’s in North Beach.

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When Will The Pondering Pig’s Memoirs Be Released?

July 18, 2012

You guys are probably wondering by now if the Pondering Pig died and went to Hog Heaven.  Nah, I’m still out here, still working on this book about my experiences growing up in San Francisco and thereabouts in the 1960s.  It’s getting closer, but life keeps getting in the way. My mother-in-law passed away in May and family business has been taking up a lot of my writing time.  But hey – life happens – and so does death.  She was a great lady and deserves all the time we need to settle her earthly affairs.

Anyway, the book:  First section is called On Dead Man’s Curve, the sad story of my life as a teenaged zhlub in the San Francisco suburbs of the late 1950s and how reading Kerouac’s Dharma Bums gave me hope there was something more to life.

Second part is called Baby Beats, about how I went forth into that bad beat world of the early 1960s.

Third part is called Into The Hard Day’s Night, and is about the 1964-66 era, which many people say was actually the coolest time to be in the Haight-Ashbury – before the world knew it was there.

Fourth part will be called called Earthquake and it’s about the Haight-Asbury, media circus era.

Fifth part is called Looking Back and is philosophical and thoughtful and all that. You will be so enlightened you’ll squeal.

Yesterday I met with a freelance editor to see how she can help me get the manuscript polished and ready for publication.  She’s editing a few stories and if I like what she does, we’ll be closer to the finish line.

Self-published digital books are getting a bad reputation because there is so much poorly written and unedited crap out there for sale on Amazon and Smashwords.  I don’t want my book to be like that.  Even if I self-publish, it’s going as good as anything Random House puts out.  So there!

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A Note from Ponderpig

February 10, 2012

 

Pondering_Pig big mellow‘Allo, pig fanciers.  You know, even though I have been out pondering other things the last few years, this blog still gets a lot of readership. 

It’s encouraging, and I have decided to collect all  the San Francisco stories and publish them as a book — with scads of new material as well.  Oh, I’m also working on a comic novel set in the Haight-Ashbury in 1965, just before the world realized what was going on there.  I’ll keep you updated as I go, so keep reading and thanks so much for coming by.

P. Pig

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2011 in review

December 31, 2011

The WordPress.com stats helper monkeys prepared a 2011 annual report for this blog.

Here’s an excerpt:

The concert hall at the Syndey Opera House holds 2,700 people. This blog was viewed about 34,000 times in 2011. If it were a concert at Sydney Opera House, it would take about 13 sold-out performances for that many people to see it.

Click here to see the complete report.

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In Which I Almost Meet Neal Cassady

August 3, 2011

1966 neal cassady

In the Spring of 1962 I was hanging out in San Francisco’s North Beach with my girl friend Linda Lovely and the raffish denizens of the Hot Dog Palace, fabled hangout for meth freaks, junkies, beat wannabes, angel-headed hipsters, posers and hosers, also known as the Ant Palace or the Meth Palace – maybe it was grim, cold, florescent, unsanitary, but it was really really cheap. We spare-changed tourists and dropped by the parish hall at St. Peter and Paul’s Church opposite Washington Square for a free hardboiled egg sandwich (it actually was a hard-boiled egg, still in the shell, between two hunks of French bread, wrapped in newspaper like fish n chips.)

My pal George the Beast had snagged a job as night clerk at the Hotel Dante, next door to topless pioneer Carol Doda’s club The Condor. The Dante was not like hotels of today with chocolates on the pillow and turndown service. The Dante was a Sam Spade dusty dim lit hallway hotel where real men in fedoras and revolvers in shoulder holsters thought existential thoughts while staring at the bare lamp bulb screwed above their broken single bed. Outside flowed Columbus Avenue, with its million stories of hardluck dames and babyfaced gunzels, and Ambrose Bierce shooting it out with Bret Harte as foghorns groaned and cats cried in the night.

So one day George says to us “Hey, you want to see Neal Cassady’s room?”Site of Hotel Dante, 2008

“Well…duh!” I sez to George, using an anachronism since no one had yet realized ‘duh’ could be a catch phrase.

Cassady was just out of San Quentin. He had been busted for possession of marijuana and sacked away in Q since 1958. Back in those days, a guy could go to prison for years if a cop stuck his hand in your coat pocket and found a joint.

Even in 1962 Neal Cassady was a legend – he was the Dean Moriarity of On The Road, and of course we wanted to be within the glamor circle of his greatness, a real legendary member of the real beat generation. He wasn’t anything like me and Linda Lovely and George the Beast, not quite sure who we were, wanting to be real beatniks and looking like real beatniks, but actually twenty years old and acting a lot like kids who had memorized Howl and thought Dharma Bums was a treatise on right living.

This was about four in the afternoon, nothing was happening in the “lobby” of the Dante – a narrow space beyond the front door with stairs leading up and George behind the counter grinning like a bodhisattva with his gold earring gleaming. So George leads us up the stairs to the second floor and down the dark passage to an even darker doorway on the right hand side.

“There it is – that’s Neal Cassady’s room”.

I could feel the beat emanations exuding through the door. Was he behind it writing long mad letters to his famous pals? Was he out looking for another joint to put in his pocket? I’ll never know. We waited around for lightning to strike and when it didn’t we looked at each other and shuffled and finally went back down to the lobby and laughed and joked until George got his dinner break. Then we walked down to Huey Looey Gooey’s and ordered three big bowls of seaweed soup.

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Leslie In The Crystalline Night

July 27, 2011

One night in December 1961, Leslie Hipshman and I were driving across the city at the rainbow’s end in my beat-up Studebaker Lark. We weren’t on a date of course. Dates were uncool. It was just an ordinary Wednesday night in San Francisco and for some reason lost in the mist we were hanging together.

The night was cold and crisp – not crisp like eastern autumn nights when the leaves are falling, but crisp in clarity, the light exact, deep-focus, like it gets in San Francisco after a December rain and a windy afternoon. There was nothing left in the sky but clear sea air flowing over the downtown stockbroker’s offices, the Fillmore conk salons, and the desolate streetcar tracks of the Sunset district.

We weren’t supposed to be together. Leslie was going with Don Auclair, the leader of our peacenik brotherhood. Against my will, I was ending a painful love affair with a seventeen year old beauty from Riverside, Carmen O’Shaugnessy. But neither of them were in the car. There was just Leslie and me cruising through the clear eternal night at the rainbow’s end listening to somebody singing how he didn’t like his mother-in-law and wondering what to do with ourselves.

I knew what I wanted to do, of course. I wanted to park somewhere and hold Leslie tight. Leslie waves beat against me like radio signals. They came in clear as the air: “I’m young, I’m beautiful, my skin is like satin and my hair is shiny black. I’m very, very delicious. And I like you too.”

But…you had to let these things take their course. Forcing yourself on someone was uncool and could lead to an unfortunate outcome. Besides, I didn’t have designs on Leslie. We were just together, that’s all. She couldn’t help owning a powerful radio transmitter any more than I could help having a receiver that worked really well.

Leslie and I had never spent time alone with each other before. Once we’d walked to the corner store together to buy Bugler cigarette tobacco.  So we did what self-respecting young freaks did in the winter of 1961 when they weren’t on a date – we headed for the wasted remains of North Beach. The era of the beatniks was over and the era of the hippies hadn’t begun, yet we knew we were as happening as the beats had been. We just hadn’t had a chance to show it yet. We were drawn like moths to the flame. But the flame had burned out.

Upper Grant Avenue, scene of epic cultural battles when Lawrence Ferlinghetti and City Lights Books stood trial for publishing a dirty poem called Howl, where Officer Bigarini had arrested beatnik chicks for wearing sandals in public, where poets like Bob Kaufman and Gregory Corso and of course Ginsberg had broken free from writing airy martini-driven university puzzles like professors required me to study in English 101 and instead shouted visions of backyard greentree cemetery dawns on street corners or riding the Muni or standing in the smoke filled Coffee Gallery declaiming while Jack Kerouac ran to the deli for more dago red. Upper Grant Avenue in its quiet desolation was our link to the mighty heroes of old, whom we would never admit we sought to emulate. We were just going to get something to eat and look for our friend George The Beast.

George was the biggest beatnik we knew. Of course, since I was nineteen and Leslie was seventeen, we didn’t know too many. I was pretending to go to college at San Francisco State and Leslie was still at Lowell High School, but George – George was living the full-bore life. With his army fatigue jacket and single gold earring, his hypothetical parrot on his shoulder, and his magic to make everybody laugh with joy at anything, George was the dog who trotted freely in the streets. Maybe he wasn’t up there with Ginsberg and Corso yet, but hey, those guys were in their thirties already and George hadn’t hit twenty. Meanwhile, he slept where he could and cultivated acquaintance with the rotters, pimps, poets and crystal merchants who congregated in the Hot Dog Palace after midnight.

We found a place to park on Commercial Street jammed between a vegetable truck and a red zone. Out the door lay the land of tong wars and Fu Man Chu, of sweat shop lights glimmering behind curtains in the night, of dripping dried chickens and squirming fish in the butcher shop windows – Chinatown, the penultimate scene for San Francisco romance and I was walking though it with a beautiful unknown continent beside me. Before us lay the tiled stairs that lead to the coolest of Chinatown’s cheapest restaurants, Huey Gooey Looey, where the beat elite meet to eat.

Ah, where are the cheap Chinese restaurants of yesteryear? While you’re looking it up, I’ll tell you where Hooey Gooey Looie is. It’s buried under the weight of Chinatown international credit. It’s a bank. Even the steps leading to its florescent lit, subterranean depths are gone. Like George Bailey had never been born. Like Mister Potter had won. Like I imagined the whole thing. (Don’t worry too much about it – there are plenty of new ones.)

But in the winter of 1961 and for many years thereafter, Huey Gooey Louie’s was the restaurant of choice. Nowhere were the waiters as surly and the chances of meeting someone you knew as likely as at Huey Dewey Louie.

We slid into a red vinyl booth, ordered fried wontons with sweet and sour sauce, and leaned back, maybe wondering who that person was sitting across the table. I’d moved into the peacenik flat at 311 Judah Street a month before to live at the nerve center of our scene, and Leslie had come with the territory. Leslie was involved in some minor way with Don Auclair, the big dog of our little scene. Don was a couple years older than me, he was tall, he was brave and bold, he rode a Triumph Bonneville, he’d walked from LA to San Francisco on a famous peace march and been arrested along the way. He knew all kind of ways to get high using legal substances like lighter fluid. He was a player and I was a beginner. It didn’t matter that he had a gentle spirit and a sweet smile, he still intimidated me. But I would never let it show, of course. To see Leslie and her pals Riley and Teresa ensconced on Don’s mattress playing guitar, listening to Joan Baez or Ray Charles, was as normal as looking to see if anyone had done the dishes yet.

One other thing I should mention about Leslie. She happened to have IT, as they used to say about twenties movie star Clara Bow. She wasn’t exceptionally beautiful. She didn’t attempt to be sexy or provocative. But something about her made young guys like me turn their heads to see her walk by. Perfume emanated from her that you couldn’t smell, but it smelled good anyway.

Now here we were at Huey Louie Gooey’s, leaning back, waiting for the wontons, waiting for the world to end, waiting for our lives to begin, and talking about the inconsequentialities of the day. Some friends in the peace movement were going to drive across the country over Christmas break. We were going to march in front of the White House waving placards and chanting and not eating anything for twenty-four hours and being non-violent about it but still making a little mark against death from the skies. We knew it was hopeless. But we couldn’t just sit there.

Leslie couldn’t go but I thought I would. Then we moved on to Joanie Baez, whom we loved, and Miles Davis and John Coltrane. Her father collected jazz records; she’d grown up listening to the greats. She even knew about the Dixieland guys from long ago. That was cool. I liked a girl who stood up for something, even if it only Dixieland jazz.

I don’t think I had noticed before how intelligent she was, how full of brimming life, eager to experience the full range of human possibility. Restless, reckless, a little crazy. I just took it for granted — we were all like that. We didn’t talk about it. And of course I noticed her shining black hair cut in a dutch boy bob. Of course I noticed how she filled her bulky-knit blue sweater against the booth’s red vinyl. Her easy laugh. Even her slightly crooked teeth were cute. Why couldn’t I be in love with her instead of the braided, insane wild child who teased and tortured me, driving me insane too, but my craziness was to want her more and more. Leslie was reckless, but in a different way – I felt easy and comfortable with her.

Like every other restaurant in Chinatown in 1961, Huey specialized in Cantonese delicacies. Besides fried wontons they offered pork fried rice, cashew chicken, seaweed soup with little pink shrimps swimming through kelp beds in the bowl. I’m sure they had more authentic food over on the Chinese side of the menu, but for for Leslie and me, fried wontons were still pretty exotic. After the meal, I splurged and treated her to Hooey Dewey Gooie’s signature culinary delight: shivering, quivering, glistening almond pudding with a nut in the center and a canned mandarin orange slice and a fortune cookie on the side. We took bites from the gelatinous substance in our bowls as Leslie told me about her life as a hip high school kid. It wasn’t a lot different than my own life as a high school hippie in San Mateo, the suburb where I’d learned to hate suburbs.

On weekend nights, Leslie told me she’d get home by curfew, make a show of going to bed early, brush her teeth, flush the toilet, yawn, then make a body shape from pillows under the blankets and quietly sneak out to meet her beat wannabe friends. No one had a car – so they walked through the city, down to Market Street, or over Russian Hill to North Beach. There they patrolled its back allies to see if any big beat parties were still going on. Maybe one day they’d catch Jack Kerouac running out to the late night deli on Broadway for even more dago red. But they never saw him. Maybe they saw his shadow once.

We were all under his shadow.

Next we headed for Lawrence Ferlinghetti’s great information station for the underground world – City Lights Books. By now we were comfortable with each other and enjoying the night. Finding George the Beast became a handy reason for wandering around the best neighborhood in the best city on the best coast.

Shig was at the counter as usual, leafing doubtfully through some baggy poet’s self-published tome. We checked for George upstairs and down, and poked around the poetry section. I leafed through the new issue of Sing Out! to see if it had the plastic record to hear how the songs sounded if you couldn’t read music. Two months before, high on peyote, I had listened to Joanie Baez sing The Great Silkie on one of those acetate pull-outs, listened to her over and over until it was inscribed in my consciousness. I wanted another one of those little records if I could find it.

George wasn’t anywhere around, so we browsed until we were bored, then crossed Broadway to check the Hot Dog Palace.

The Hog Dog Palace, fabled hangout for meth freaks, junkies, beat wannabes, angel-headed hipsters, posers and hosers, also known as the Ant Palace or the Meth Palace – maybe it was grim, cold, florescent, unsanitary, but it was really really cheap. From its fly-specked windows you could see everything and everybody making it down Columbus Avenue or even Upper Grant if you snuck up the back stairs and peered through the glass door. The Hot Dog Palace stood on the site of Pandora’s Box, which in its day had been a genuine pseudo-beatnik sandwich shop where they served Zen Soup to sip while wearing zen slippers and pretending to read Beat Zen, Square Zen, and Zen. It was kicks, man, kicks! And they kept getting harder to find.

George wasn’t there either, but I saw Pat Lofthouse scribbling cartoons in his sketchbook with a Rapidograph like he always did. And I saw Gypsy Boots, a street hustler who made his living doing things with other men I didn’t want to imagine. Gypsy was shoveling quarters into the jukebox like they were slugs. Maybe they were. I guess he was in the mood for Bright Lights, Big City, because we heard it three times in the ten minutes we strolled from table to table.

Looking for George was getting boring. We decided to walk on up Grant Avenue. There were no more hangouts up that way unless you were over twenty-one. I wondered if Bria was in the Anxious Asp. She was the first Lesbian kid I knew I knew, and she could pass for twenty-one. She was usually drinking in the gay Asp or somewhere nearby.

The question in my mind was – should I take Leslie’s hand? Were we at that point? I wanted to. I liked her. But…well…I didn’t want to look uncool in her eyes. Cool people didn’t hold hands while they walked along. That was it. Unfair, but true. The rules were the rules.

The moon rose, silvery and full, its mysterious light rolling past us as we hiked towards Greenwich Street. At the corner we passed the laundromat that had been Pierre DeLattre’s Bread and Wine Mission, where poetry and bongos and Jesus and hipsters, made for each other really, had touched and kissed and sadly parted. The moonlight glimmered on the laundromat’s red neon sign 15 CENTS WASH. 10 CENTS DRY. We kept going. Pierre didn’t live there any more.

Such a beautiful night. Why not walk on up the hill, all the way to Coit Tower, the floodlit phallus that pierces the skyline for fifty miles on a night like this. None of the city’s Manhattan style high-rises had been built yet and the City still looked Renaissance, magical, from up there. Let’s go look again.

We turned right up Greenwich. The street was lined with pastel colored narrow flats climbing in the moonlight like in some Italian hilltown, Verona maybe, where Mercutio was stabbed by the Jets while Romeo screamed. Maybe Mardou Fox had lived in one of those flats when Kerouac mourned for her in The Subterraneans. Years later I learned Jack moved his story from Greenwich Village to North Beach because his publisher said it would sell better. Oh, protect yourself, angel of no harm, you who’ve never and could never harm and crack another innocent in its shell and thin veiled pain…the inventor of spontaneous bop prosody had shifted locales at the advice of his marketing director. He’d done it so smoothly I never even wondered.

At the top of Greenwich a narrow staircase leads into the trees. We climbed on through the spooky city park darkness. Did I touch her? Our spirits were beginning to touch, just a little. Spidery tendrils of…what? Friendship? Understanding? Whatever it was, we were wrapped in it, and it was nice. The tendril webs were going to prove strong enough to link us across the continent as we tossed through squalling marriages, and stayed strong enough to urge me to to keep her letters for nearly fifty years. I’m not sure those spiderweb tendrils have a name, but they wrapped round us like ectoplasm. They weren’t named romantic love, and surely not just friendship — you don’t want to hold a friend tight in the moonlight. But whatever it was it felt good. I had enough problems with passion at the moment. Who needed more?

We eventually emerged into a clearing beneath the great illuminated tower, its white stone turned golden by the floodlights. A half dozen couples like us and several melancholy gents perhaps looking for same wandered hither and thither in the moonlight. Leslie and I sat on the damp grass and looked out over the city at the rainbow’s end sparkling crystalline in the December night.

The ramparts of the Shell Building lit in blue-green shimmers, the parapets of the Russ Building flooded with gold shimmers, they beaconed over the Renaissance city like Doge’s towers, papal towers, Aztec towers, Inca towers – over the great city that sprang from the sand dunes on the far Pacific shore. And we were sprung too. Aw, Frisco – how’d you get to be so blessed?

You probably didn’t know native-born San Francisco kids can be just as manic about the town as any fresh arrival from Dubuque. On a crystal December night from the top of Telegraph hill we could feel somehow we’d been accidentally born in the perfect place.

Leslie said, “City’s sure beautiful tonight.”

I said, “Yeah…”

I didn’t mention the other nights I’d sat here, usually with Ricky and Parm, my high school pals, occasionally with a girl. Leslie didn’t go into her past either. The light descended upon us and into us. I had no plans beyond loving this night, this city, this sweet girl beside me – all in pretty much the same way. Generalized and without any particular future.

We thought we knew what we wanted. Leslie wanted to be free from sitting in rows waiting for the bell to ring, free from her mother’s plans for some wrong future, free to go where she wanted, to find out who she was, who she could be.

I was already free to be blown wherever the wind blew me, if not free from the chains of the skyway. What I wanted was someone to love forever with the freedom of complete equals. Someone who would want to go see where Mercutio got stabbed that starlit night. An adventurer comrade who would also be beautiful and very very hot.

It was eight years before I got her. And she came with kids and responsibilities. I had a lot of growing to do.

We sat there a long time, talking quietly and then not talking at all. Maybe this moment was what we really wanted.

Eventually though, the damp seeped its way through our jeans. It was a week night, anyway. Leslie needed to be home by ten-thirty.

When we hit Greenwich Street again, Les decided to run. She wasn’t really in that much of a hurry. Screw curfew. But the hill was so steep and we were so full of moonlight that when she took off I peeled out after her, catching up and grabbing her hand like we were kids or young lovers in a New Wave movie, running and laughing and trying to go yet faster but stay in step. Cats looked up from their garbage can in surprise. The old man walking his poodle turned to see more of this beautiful girl and the freak with the Buddy Holly glasses trying to beat each other to Grant Avenue. We careened around the corner onto Grant laughing breathless and didn’t stop until we passed the Coffee Gallery where we hugged each other as drunks shouted encouragement out the door and tossed quarters.

We kept going now just walking past The Fox and Hound where we could hear Jorma Kaukonen playing Delta blues inside on his slide guitar. Back past the Hot Dog Palace — through the window we saw George the Beast standing at the counter jawing with Fast Walker. But the night was coming to an end.

Aw, there’d be other nights. Hundreds and thousands of other nights in the city of our hearts where the fog never lifts and the moonlight never ends and the wind blows always bright and clean. George wasn’t going anywhere and we’d be young forever.

We drove across the City again over Russian Hill down past Van Ness and out through the Fillmore to Leslie’s mother’s flat on Baker Street. Miles was blowing Freddie the Freeloader on the radio and the night was sacred.

I double parked of in front of Mom’s place so Leslie could jump out but she didn’t jump out. I didn’t want her to jump out. We were illuminated, bright and I took her in my arms and we kissed. We took a long time. We could have kissed forever as far as I was concerned. But then it was over and she did jump out and in though the door and she did look back at me before diving through, Hi Mom! I drove back to 311 Judah levitated one foot off the front seat.

Did we fall in love and live happily ever after?
Did we save up together to go find where Mercutio was stabbed?
Or did the wild child Carmen O’Shaugnessy finally break up with me forever and
then did I finally completely disintegrate and catch mononucleosis and go home to recuperate in the suburbs and
there did I meet a girl at a party in Burlingame and
didn’t we split for Pacific Grove three days later and
didn’t she get pregnant that summer and
didn’t we marry and live together in love and misery and
didn’t Leslie run off to New York with Peter Van Gelder when she turned eighteen and
didn’t she get pregnant too and
didn’t she give up her son for adoption but find him again years later as
I found Leslie’s letters again in a dusty box and put them on the blog and
didn’t we meet each other again one time more when we’re old?

Would it have been better if we had found George the Beast and gone off to his hotel room and smoked pot all night? Or if Leslie had caught a cold and stayed home?

What does this scanty story mean, anyway? Why go sit under the moon observing a city with no clouds when you could be making money, lots of money? For that matter,
What is the meaning of life? I have no idea of course, but it might have something to do with the little tendrils that might creep out in the moonlight. Sometimes they grow into strong cables like the ones between Patrushka and me. Tested and true, no matter what. And sometimes they never grow beyond a tentative little spiderweb. But either way – they’re the best things God gave us poor humans.

Photo credits:Coit Tower Moon: Dan Heller Photography; Chinatown restaurant: Dizzy Atmosphere’s Photostream; North Beach Hangout: Jerry Stoll from I Am A Lover copyright 1961

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