Posts Tagged ‘big sur’

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Song for Riley Tornfoot

December 4, 2006

Riley, if you are still on this planet
And bones not moldering with Wyatt Earp’s in a Colma graveyard,
If you are still scuffling the streets of the Fillmore
In toebrokethough stained tennis shoes and
not chained in a state institution somewhere,
If your first-born child knows your face and thinks of you at all or even if she don’t, here is a song for you, sad-eyed leper.

First saw you barefoot, cross legged, eighteen, Lowell High School drop-out, Don Baudelaire’s new sidekick – you walked for peace together LA to San Francisco in the long ago 1962 you were arrested went to jail it was all the same to you. Before your intelligence was sucked from you like you juice from an orange.

You and Don lounging cool on our ratty mattress, bare except for Margarita’s unraveling Mexican blanket, dirty red and yellow. Baudelaire laughing as usual, heavy black rimmed glasses coming down his nose, spare black mustache crinkling up. You’re heroes to us, weary warriors of nonviolence.

Yes you were beautiful that morning surrounded by hippie girls, Riley, they loved you and made much of you – Teresa Sweetness, red haired, freckled, seventeen, wife of Mike Squaredoff, stuffy, square, and doctrinaire – saving to move to Yugoslavia to be free of the capitalist system. Teresa just wanted to be free of her mother.

And Leslie Chapman cozy between you and Baudelaire. She’s Don’s girl friend, straight black hair, satin skin, also seventeen. She lives with her rich mother in Pacific Heights but goes off balling with Don on his motorcycle.

Leslie, sweeter than Sweetness, brought over her Bob Dylan album. Nobody’s ever heard of him. “His voice is so scratchy and nice,” she says, “he doesn’t sound smooth like a singer.”

Riley, you sprawled there smiling, quiet, what were you thinking? In with these peacenik hippies, and hippies are white, all but you. You’re part of this scene of socialist politics and blue workshirts and Sing Out! Magazine, and pot smoking, beat poetry, and Miles Davis. What brought you to peace marches and demonstrations and this dusty mattress?

The four of you so young and cool and free as I look back on you from 2006 – your long sunny, moony youth still ahead of you. No pain or suicide or madness is evident as you pass the gallon jug of Val Vin burgundy from hand to hand.

Riley, two years later when I was out you hit on my wife. Me — your friend. I was pissed when she told me but you were too sad to stay angry with.

You had a blue sweater color of the sky – I could always see you coming through the fog. I’d be home lonely reading comic books, cutting out magazine pictures for collages, wondering what the fuck, with baby daughter napping in the bedroom. We’d get high and laugh and listen to Lighting Hopkins records, then you’d leave me – stoned and alone.

Riley in blue sweater and torn shoes, you had a wife too – sandy blonde beat girl who stuck by you and had your child. I came by to see you in your little madras bedspread one room pad on Fillmore Street but you were gone to score. She was alone and large with child. I felt sorry for her, only white girl on the block, vulnerable and you out to cop. But she was tough and capable and took care of both of you in the lowdown Fillmore pads you lived in – none for long.

Riley, one blue day in 1964 we drove down to Big Sur in my liver colored Studebaker Lark. Wandering back roads looking for a place to camp we met Ferlinghetti in a field – like a sage from the older world, like an Elder from Olympus in the fields of Big Sur. We camped by a stream and smoked pot as the sun went down on trembling creek waters. We all believed that summer 1964 you could get high smoking scotch broom – and we spent an afternoon in the fields of broom by the roadside picking and dodging bees. The smell of it — if only it had worked – angel Pacific glory.

We stopped at Big Sur Hot Springs (later Esalen Institute for new age wisdom gestalt therapy). Mimi Baez was singing at crowded party Big Sur hippies congregating in smoky dark dim kerosene light, surely after making art all day, wonderful paintings and poetry and novels. Such I still believed was the life of Bohemians. You didn’t think so. We waited for sister Joan to come, but she never did

We crashed at a cabin up a canyon, park car at head of canyon and trudged up to it in the mooney dark. One room, no water, bare boards, blonde Viking woman’s home to drink Red Mountain burgundy and smoke scotch broom blossoms in the night, hippies on the floor snoring as we toked.

Riley, you got heavier into drugs, heroin I suppose though I don’t know and I moved to the Haight-Ashbury. I didn’t see you any more except once flitting down a back street looking for a phantom fix – sad specter of the streets.

Last time I saw you was in 1975 on Haight Street. I was crossing the street going into Rodney Albin’s guitar shop and you appeared, losteyed. I was dressed in brown you thought I was driving truck for United Parcel congratulated me on getting a well paying gig. We shook hands in the gutter at the corner of Haight and Masonic and you disappeared into the traffic. Disappeared into the traffic like you’d never been there at all. You didn’t have the sweater anymore.

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Gidget and Mimi Farina, Big Sur, 1964

November 17, 2006

Help! I have barricaded myself into my house. Outside, crowds are shouting for more Gidget. More Moondoggie. More beach parties and more Coors Beer in tan cans. And put in more surf boards – those big ones, like Moondoggie used.

Now I have to make good on my promise to write about those strange and magical beings when what I really want to do is sit here like a three toed sloth and listen to Joan Baez singing Sweet Sir Galahad again. Didn’t she ever sing Surfer Girl?

The trouble is I’m a beatnik pig. I never drank Coors Beer in tan cans. When I went to the beach, I went to San Francisco’s North Beach, ‘where there isn’t any water and Big Daddy ain’t your fadder’, as the old song says.

What, you’ve never heard that song? It was very big on Sacramento Street in 1962. Beatniks in peacoats would sing it in unison as they strode through the swirling fog and damp and snailed down the steps into the Ant Palace for another night under the fluorescents watching Officer Bigarini rousting less fortunate beatniks on Columbus Avenue outside the Ant Palace door.

What did we know from Gidget? I went to the movies to see the divine Marie Dubois get shot by that stupid crook in the snow at the end of Shoot The Piano Player.

What? You’ve never heard of that movie? It was very big with ratty student scruff in 1962 as we huddled in our peacoats against the fog and damp of ocean air Irving Street on the way to the Surf Theater to see it for the 81st time.

Sometimes we’d get tired of watching Marie Dubois get shot again so we’d go see Jean Paul Belmondo get shot down in the street like a dog at the end of Breathless because of that traitorous turncoat American itchy bitchy blonde Jean Seberg. Who actually looked a little like Gidget.

Is this clear? Will the lynch mob of admirers outside please go away? Let’s talk about somebody cool instead, like Mimi Farina.

What? You’ve never heard of Mimi Farina? She was very big in the cold plastered kitchens of incandescent Haight-Ashbury flats. Reflections in a Crystal Wind was the name of the LP she put out with her beatnik poet husband who got smashed on his motorcycle in 1966 just when things were really peaking. I can hear it now ringing in my ears along with Donovan’s Sunshine Superman and Country Joe and the Fish’s first album. That was about it for music in our commune the Fall of 1966 thanks to my insufferable roommates the Gunderson twins. Interrupted my studies of the Goldberg Variations, but what could I do? I know. Smoke more dope.

Richard Farina left behind his legacy novel Been Down So Long It Looks Like Up To Me which I still haven’t read. It’s been right up there on my must-read list since 1966. First I have to get through Dune. And The Fellowship of the Ring. That will take me forever. Richard will just have to wait.

Mimi’s legend was huge. I won’t even mention that she was Joan Baez’s little sister. So demeaning to a great lady who went on to found Bread and Roses, the group that brings top music acts to prisons and hospitals and orphanages. She ran it till she died young of cancer a few years ago.

Those Baez girls – unbelievable how they affected all of us. Like there were some people out there who were like us except higher and more beautiful and more noble and could sing better. And knew Bob Dylan.

I saw Mimi perform at a party in Big Sur once. In 1964, when she was about nineteen. Now that I think about it, David Crosby was there too and he was just one more pretty good Big Sur folksinger. But Mimi! There was this air of expectation in the smoke dark rooms of Big Sur Hot Springs. Mimi was coming! Her legend, her mystique was already rife. Joanie’s little sister, she just had to buck up under her big sister’s Queen of the Folksingers aura. Mimi’s actual singing is a blank to me, I’m afraid. I just see her in a pool of saintly angelic light, the scruffy crowd of vikings and timber beasts and grunge artists all hushed and dragging on their Camels as her pure voice sang Cripple Creek or something.

That night we drove to the back of a nearby canyon and hiked up to Crazy Mary’s streamside cabin in the redwoods. It was the summer that word swept though the Underground – smoking Scotch Broom flowers could get you high. Riley Tornfoot and I were in Big Sur to test this hypotheses. We asked somebody what Scotch Broom looked like, then we picked the little yellow flowers all afternoon, stuffed them in a corncob pipe and inhaled deeply. We passed the pipe around to other experimenters. We went outside the cabin to look up through the redwoods at the starry post-Mimi Farina night sky. They glittered no more brightly than before.

Do you feel anything, man?

Maybe. I think I might be feeling something. Give me some more of that.

Or else we would have to drink more Coors beer in tan cans like the surfers did. Actually, beatniks never drank anything stronger than Val-Vin Burgundy $1.99 a gallon.

One more thing, the night before, camping in a field back from Highway 1, we saw Lawrence Ferlinghetti and his girl friend walking through the field. He was wearing a wide brimmed hat and speaking to her of ineffable, wonderful things that we could never know.

What? You’ve never heard of Lawrence Ferlinghetti?

Special thanks to everyone who unknowingly lent me the pictures in this post.
SurfnHula, The web’s best source of collectible Hawaiiana and surfboards
Le Cinema Francais
World Cinema
The Richard & Mimi Fariña Fan Site

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Three Girls Barefoot; Last Day of 1969

January 9, 2006


Since we’re visiting the Sixties this week, I thought I’d post this little poem I found in a box of Walrus Pemmican’s stuff…(photo by Patrushka)

On the last day of December
in 1969
three hippie girls stood far on a hillside
to watch the old sun sink.
Their beads rustled and their long hair flew
in the cold Pacific wind.
It chopped right through their velvets too
and chilled their warm young breasts.

The night came on.
They made their way back along the trail to the cabin.
A yellow light came from the window.
Inside a baby cried.
Three hippie girls hurried faster.
Their paisley dresses brushed against the poison oak.

In the doorway the youngest lit a joint.

In the wind,
in the dark,
on the hillside,
two hippie girls’ eyes turned red.
The third, inside, was already nursing her child.