Archive for the ‘Movies’ Category

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How To Pick A Movie

March 16, 2008
Do you ever use rating systems for movies? The kind that Netflix and Yahoo Movies use? People rate movies they’ve seen and then it spits out its prediction if you’ll like a movie you haven’t seen.

The two systems are vastly different. Yahoo asks you to rate a movie from A+ (Oscar-Worthy) to F (All-time Worst), while Netflix’s system rates from 5 (Loved It) to 1 (Hated It).

See the difference? Yahoo asks you to be a movie critic, while Netflix just wants your emotional reaction. Don’t worry about the acting, camera work, or script. Did it grab you? Or did it make you feel ill?

In my experience, the Netflix system is phenomenally accurate, while Yahoo’s is iffy. For instance, there’s a movie out called Giant Monster Attacks New York! Yahoo thinks “I’ll Probably Like This Movie” whereas I can categorically state I Would Hate That Movie. And further, the chances of me spending nine bucks to watch a giant monster attack New York yet again are few to non-existent. Giant monsters bore me after ten seconds. I can’t help it. It’s the way I was made. You got a problem with that? Go see Al Pacino.

Netflix won’t comment. Not enough data in from people who share my predilections. And no wonder.

But Netflix said I would LOVE a groaning old classic called Children of Paradise, made in France during the Nazi occupation. At this point, I figure Netflix is trustworthy so I ordered it from the downtown library. It arrived on two ancient videocassettes.

Well, Patrushka and I flipped! Finally, a real movie about people who are bigger than normal people, who feel more joy and more sorrow and suffer more but with great actorliness. A whole unknown world of mid-nineteenth century theater and crooks, a great mime and a super-villain wannabe and a beautiful but doomed courtesan and…well, we both flipped, okay? You got a problem with that? You like giant monsters, I like Balzac. Netflix doesn’t care. Just tell ‘em what you liked already.

The one thing I have to stop doing is listening to critics. They mostly come from the desensitized generation, the young ones who have some kind of skin over their eyes I don’t have. I went to see There Will Be Blood because the critics shouted Yippee, Finest Film Of The Decade If Not All Time! and it won fifty-eight awards and it was about oil scandals in LA in the 1920s (like Chinatown, or so I thought)…but I came out ready to commit suicide. It is one of the bleakest, most unrelenting views of disintegrating human hearts and minds I’ve seen. In fact, every character in the film with the exception of the little kid victim, is a hypocrite, a power-grabber, a fool or a fraud. In its universe, love is a laugh. So ‘Ugliest” would be a good award category for it if the Academy would start one, please. There isn’t even any humor to give us a few moments of respite. Just straight over the cliff for one hundred and fifty-eight minutes. I finally went and sat in the lobby until my pals came out. So I missed the part at the end where the hero bashes in the skull of the hypocritical preacher.

On the Yahoo system I would have to give that movie a B+ (Memorable). The acting and camera work and all that baloney were fine. But on Netflix I gave it a ringing ONE (Hated It!) because, guess why…I hated it!

Wouldn’t it be handy to have a Netflix recommendation system for music, books, refrigerators, cute little kitties, and prospective spouses? I think so. No more guesswork! Where are the algorithmic visionaries when we need them? We’d never again have to suffer through cruel refrigerators and hypocritical thermos-bottles. We’d be on the Road to Utopia. Which was a very funny movie starring Bob Hope, Bing Crosby, and Dorothy Lamour. Don’t worry, you can trust me. I’m not now and never have been a movie critic.

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But Now We Are Sixty-Six

February 12, 2008

Oh boy, 1948, the year I turned six. First of all, for my birthday I got a pull-dachshund on a string whose legs moved as I pulled him along. And it got even better! We went to the Russian River for a week that summer and my brother showed me how to play Cruisin’ Down The River On A Sunday Afternoon on his uke. I got to go down the dusty road to the general store all by myself and I could buy any funny book I wanted. Except no horror or crime comics. But that was okay - I could read those on the comic book stand until the owner got wise.

Now I’m sixty-six, and what do I get? I get to chop ice all day. Shovel snow. Oh well, I shouldn’t complain. For birthday dinner my German mother-in-law made her famous beef roladen, red cabbage, mashed potatoes and gravy, and for dessert my favorite home-made creme caramel as only my mother-in-law knows how to make it. Smooth, creamy and wonderful with that rich burnt sugar syrup slooshing down its sides to make a little lake in the bottom of the bowl. And we polished off a bottle of top-notch Cabernet, grown in my current home state of Washington. Then we watched a French movie called A Very Long Engagement. It stars Audrey Tautou, the actress who played Amelie.

You probably won’t like it. It’s relentlessly melancholy, like me. About a young woman who, also like me, knows to the depths of her being that love is forever. She refuses in the face of all evidence to believe her lover was killed in the Great War. For the Pig Of The Grey Skies And Rain, her performance and her character provides the penultimate revelation of a true heart. In fact, I’ve got to go watch it again right now.

(Two hours later) Where was I? Oh yes, I was about to start complaining.

You know me, the Complaining Pig. I’ve made a career out of never being satisfied. So here’s what I’d really like for my birthday. I’d like to know what happened to all the loved friends and befriended lovers of my youth. All the kiddos who are wrapped in gold in my heart and whom I can never and will never forget. Here, for the third year, is my birthday roll call, with updates since last year…

Was Anyone Left Alive?

Bess Farr, AKA Lisa Farr, AKA Lisa McFadden. Dear friend and troublemaker, we were friends throughout the Sixties. The last time I saw her, she dosed me with MDA at a party. I wasn’t mad at her - she just made made me realize how fed up I was with the life I was leading. But I’ve always felt like I deserted her when she was in trouble. And I wish I hadn’t. You okay, Bess? 2008 update: Eva Wilson told me Bess died of ovarian cancer about 1992. I never got to see her again. I always thought one day we would have lunch together and she’d tell me her life had turned out okay. Bye, Bess. I wrote about you in It’s Too Late, She’s Gone…

Bob Gill – brother beatnik, peyote brother and card carrying YPSL. In my mind’s eye, he’s up on the barricades somewhere waving his ancient rifle defiantly and the Nationalists are closing in.

Bob Kaffke – diabetic Communist who rode horseback through Mexico. News: Bob is gone. Died of pneumonia in 1983 on a houseboat in the San Francisco Bay. Leo Sadorf found this link put up by his son. 2008 Update: I wrote about Bob in Kaffke of the Comsymps.

Bob Kuehn - Another of the SF State peace warriors. Ban the Bomb!

Danny Rifkin - So funny and creative. The first on our scene besides me to notice the Beatles were Something New. And he laughed at my poetry (that was good, not bad). News: Danny’s still out there hitting it. I found this article about him in the San Francisco Chronicle.

David Miller - Carpenter of Walrus and Carpenter. My singing partner and best friend until I betrayed him. Last time I talked to him he called to say good-bye. He was moving to Tennessee. Funny how I still miss him after all these years.

Don Auclaire - leader of our pack, the Dirty Peaceniks, 311 Judah Street, San Francisco. 2008 Update: Solveig told me she visited him in the Mexico City jail in 1963. George Howell told me he was living in the Haight-Ashbury with Teresa Sweeney in the spring of 1964. After that he fades from view like dust on cracking film emulsion.

Donna Conroy – Tom Conroy’s beautiful beat street wife from the Delaware horse country. Tom spent half his time fighting off the pimps who wanted to sign her up. Last time I saw here she was great with child.

Ed Ginsberg - comic peyote brother, photographer and a great heart. News: Someone told me last year he is living in Budapest.

Eva Bessie - Bess’ best friend, daughter of Hollywood Ten screenwriter Alvah Bessie. She was immortalized on two Fillmore posters done by her husband Wes. Still living in the Ozarks somewhere last I heard. 2008 Update: Eva is a psychologist in Missouri. Happily married these long years and now with grandchildren on her knee. We’ve talked and corresponded several times. God bless that little piglet who made a success of her life.

George “The Beast” Howell. A legend in his own time. A friend ran into him ten or fifteen years ago in the rugged mountains of Northern California up by the Oregon border. He was on a buying trip looking for high quality virgin wool. Something about Persian rugs. He’d picked it up living in Asia. 2008 Update: Peter Albin gave me his phone number. With awe and trepidation I called George just before Christmas. To hear again after so long that voice of legend, my North Beach comrade George the Beast, King of the Baby Beatniks…it was like watching ice melt around a mammoth frozen aeons ago with daisies still hanging from his mouth and waiting for him to trumpet once more. George lives with his sister near Clear Lake, California. He’s got emphysema and can’t get out much. Still appraises rare and valuable carpets. But he is still here, still on the ground, not in it. God bless you forever, brother. I wrote about George in Famous People I Never Knew #1: Neal Cassady.

Joe Novakovich - Fingerless Joe himself. He had warped fingers due to a birth defect, yet became a masterful autoharp player and stalwart of the San Francisco folk scene. 2008 Update: I’ve heard sad stories about Joe I will not relate until I know if they’re true.

Johnny Chance - Saintly drummer for The Final Solution and first guy on our scene to notice the Beach Boys were cool. Funnier and smarter than anyone, yet he dressed like a Catholic schoolboy. He joined the Moonies and I never saw him no more. I miss his goofy smile and cracked sense of humor and Petaluma intelligence.

Laurie Sarlat - with the Long Island accent, thick black hair and blue-green eyes, she was poet Allen Cohen’s consort and Wendy to this lost boy. She left town with a guy I didn’t know and I never saw her again. Allen told me years later she’d joined a Christian cult. 2008 Update: She’s living in Arizona. I don’t know where.

Leslie Hipshmann AKA Leslie Van Gelder. Most beautiful and sweetest of the teenaged hangers-on at 311 Judah Street (funny, I was a teenager myself!). She split for New York and I never saw her again. Leslie, I still have the letters you wrote me from the East Village.

Margarita Bates AKA The Bitch. Unforgettable. News: An anonymous tipster wrote to tell me she is alive and where she is living. Thank you. 2008 Update: I wrote about Margarita in Chet Helms, Margarita And Me

Melanie Kinkead AKA Lanie da Kink - as dear a girl as I ever knew. I wrote about her in Famous People I Never Knew #2: Janis Joplin. I am back in touch with Mel thanks to the blog and she is still just as funny as ever, and still the best. 2008 Update: I visited Mel in Sacramento last summer and it was like we had been apart for five minutes. What a pal!

Michael Rachoff - Page Street friend of years but we lost touch in my wanderings. 2008 Update: I’ve talked to Michael on the phone several times and hope to see him in a few weeks. He still lives in San Francisco.

Peter Kraemer - Virgina City filmmaker and leader of the Sopwith Camel - the first San Francisco band to hit the charts. 2008 Update: I recently heard Peter is living in Mexico and planning another reunion of the Sopwith Camel.

Peter Walters – my boyhood best friend who lived at 47th and Balboa. Peter didn’t care if I was sick in bed much of my childhood. He’d always come by and play games and make puzzles and draw battleships with me in bed and him sitting in a chair beside me. What a great kid!

Peter Weiss –tough kid from the Bronx who danced with Ann Halprin’s Dancer’s Workshop. Last time I saw Peter he and his girlfriend were heading for Japan.

Riley Turner - holy tennies street kid from Lowell High School. I wrote about him in Song For Relay Tornfoot.

Solveig Otvos, AKA Solveig Rimkeit, AKA Ruth Weissinger - the beautiful Latvian. Where are you, Solveig? I still hear you laugh in my dreams. 2008 Update: I’ve talked to Solveig, now known as Rochanah at her home in Chico, California. She claims she remembers nothing but she remembers everything. Her laughter still brings joy to ice.

Tom Conroy - the North Beach street kid cartoonist who got me busted in Oakland. Tom dealt in Prince Valiant and Flash Gordon comic strips and could spot newspaper insulation in every blowndown ghetto redevelopment Victorian we broke and entered. 2008 Update: George Howell told me Tom lives in New Mexico and has a successful business running a stock photo archive.

I know where too many of my early friends are today though – in the ground.
Here’s to you, Rodney Albin and Chet Helms and Allen Cohen and Wendy Norins and Tom Hobson and Bess Farr and all the rest of you – friends forever.

I have a lifetime of stories to tell just about these guys. There they are through my window: young and sunburnt and storm-tossed - the best of the best, the San Francisco kiddos of the pre-invasion Sixties - my generation.


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Walrus Pemmican and La Vie En Rose

October 2, 2007

I’m thinking about changing the name of my Walrus character. It’s starting not to feel right to me any more. What if later on the guy falls in love with a beautiful hippie chick? Can you imagine his girl friend saying , “Oh Walrus, I love you!” I can’t. It sounds silly.

Still, he should have a street name, not a real name. Something fitting for a guy who doesn’t want it to get around that his real name is Chauncey. Who is trying to build a little romance and drama into his young life.

Anybody got any ideas?

On a completely different subject, Patrushka and I saw La Vie En Rose last night, a biopic about the life of French singer Edith Piaf. It’s really quite an amazing movie, an onslaught of power and emotion that captures and reflects the star’s truly melodramatic life, — complex, innovative, yet totally appropriate film editing, a sound track that electrified my nervous system, and art direction - the film is played out in a succession of perfectly realized pictures of Paris in the twenties and thirties, New York in the forties, and Hollywood in the fifties - that’s a sumptuous visual treat.

Marion Cotillard’s performance as the Little Sparrow is astounding. I have really never seen anything on film to match her breadth and range - she portrays Edith from sixteen-year old street singer to a terminally weary middle-aged invalid dying of cancer. And she captures each phase of that unhappy life with such passion - it’s like Piaf herself is alive again. If she doesn’t win an Oscar for her performance, then there is no justice.

We walked out of the theater afterwards like we’d just seen Romeo and Juliet for the first time. I stopped to thank the manager of our little art house for bringing it to little Spokane - but I found my voice breaking. I was overwhelmed.

It will probably be good on DVD too - but seeing it on the big screen was — wow! If La Vie En Rose playing anywhere near you, don’t miss it.

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Bonnie and Juliet, Romeo and Clyde

September 30, 2007

I learned two useful pieces of information this week. First, I learned how to structure a comedy. You build it like this: “They’re going to lose! Oh no, they’re going to lose!…they win.” Now, here’s how you structure a tragedy: “They’re going to win! Oh boy, they’re going to win!…they lose.”

Modern people don’t like tragedy very much. Maybe we have enough of it in our own lives. A movie with a ‘downbeat ending’ is a hard sell in Hollywood, but back in the old days it was different. Theater-goers lapped it up. “C’mon, Willy. Give us another one where the beautiful fourteen-year-old stabs herself to death because her hot but sensitive seventeen year old lover poisoned himself when he thought she was dead but she’s really not. That was your best play so far!”

I will never, ever forget walking out of the Larkin Theater into the rain after seeing the Zefferelli Romeo and Juliet. My date and I were stunned. We couldn’t speak. Our fellow moviegoers stumbled out at the steady, slow pace of people who’ve heard some ghastly news about their loved ones’ sudden and untimely demise. There was no after movie chitchat - just stunned silence. Yet, when they saw us, the people jammed outside waiting for the next show didn’t start running the other way. They could hardly wait to get in and eat some of that stuff we just ate.

And that movie remains one of the high points of my Sixties movie-going experiences, right up there with that other full-bore tragedy, Bonnie and Clyde, where Warren Beatty and Faye Dunaway and Michael J. Pollard, a trio that we’ve grown to care a whole lot about, go down in a shocking and unforgettable blaze of machine gun fire as the credits roll.

Aristotle, before he married Jackie O. and settled down, used to say that watching fictional characters we cared about go down in a blaze of gunfire made us feel better. We were ‘purged’ of a lot of emotional crap that was building up inside us and left us free to build up some new crap.

I don’t know, myself. I’ve read that Charles Dickens couldn’t decide whether or not to kill off his heroine Little Nell. Then, one afternoon he was hanging out with his illustrator and old Cattermole pointed out the structure of The Old Curiosity Shop so far had been, “They’re going to win! Oh, boy, they’re going to win!…”

Dickens answered something like, “Oh, maaan! Why you tell me that now?”

The whole world wept. People in New York crowded at the docks waiting for the next ship from London. Before it even docked, they shouted at the sailors, “Is Little Nell alive? Say she is!” But of course she wasn’t. The whole city went home in stunned, cathartic silence, and stared at the embers of their little fires. But then they thought it might be nice to roast a bit of cheese. And perhaps a wiener. Because, all in all, it was Little Nell in a book who died. And their own little Nell was sitting right beside them enjoying the fire.

I’m going to make sure Walrus, Sylvie and Paulie lose, lose, lose. If Sylvie gets shot down at the end, it’ll be her own darned fault - I want nothing to do with it.

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What’s Your Purpose?

August 10, 2007

If you’ve got a reason To live on and not to die, You are a lucky man
Allen Price (1973)

What was Allen Price’s reason to live on, way back when he wrote that song? Maybe he was seeing his career going nowhere and he hoped creating a soundtrack for a Lindsay Anderson movie (O Lucky Man) would put him on the map again. I don’t know and he ain’t talking.

But actually I want to know if you have a purpose in life and, if so, what is it and why is it? I was reading an old prayer the other day and this phrase struck me as it possibly will you: “in all I do direct me to the fulfilling of your purpose…”.

I think the idea is that somehow we’ll be more connected, more in a state of rightness, feel more one with the Force (somebody help me here - I’m floundering) when we let God use us for whatever he has in mind rather than working only to meet our goal of, say, financial independence, a Ferrari, and membership in the exclusive country club on the edge of town by age 40.

When I was a salaryman, I didn’t think about my purpose too much. I knew what it was - to go to my stupid job for one more day, and earn my salary for another month so I could pay the mortgage and insurance and taxes and car payments and the kids’ music lessons. I didn’t feel a bit connected with Eternal Oneness — I was just doing what I had to do. So what else is new?

Now I’m old and rich. I sit in my exclusive award-winning pigsty at the tippy-top of South Hill looking down on my extensive grounds with their graveled paths and fountains and rose gardens and I have to ask myself - now what? What is my purpose in life?

Remember that gods and myths guy who was in vogue in the Eighties, Joseph Campbell? His memorable phrase for the secret to life was “Follow Your Bliss…if you follow your bliss you put yourself on a kind of track that has been there all the while, waiting for you, and the life that you ought to be living is the one you are living. When you can see that, you begin to meet people who are in your field of bliss, and they open doors to you. I say, follow your bliss and don’t be afraid, and doors will open where you didn’t know they were going to be.”

Most folks don’t have that option, but some of us do. I was wondering if ‘following your bliss’ is the same thing as ‘fulfilling Your purpose’ in the prayer I quoted. Is feeling right about what you’re doing a kind of litmus test?

To go a step further, if you love doing something and feel you’re where you’re supposed to be when you’re doing it and just want to do it more - just for the thing itself and not for any kudos or toys that might come of it - is that a sign that you’re not only fulfilling your purpose - but also God’s purpose for you?

In the past, I’ve usually heard explainers say that ‘fulfilling God’s purpose’ meant not thinking about yourself but only about fulfilling God’s plan, which to them meant you should be a missionary or plant a church in the next town or teach Sunday School or something in the religious line. But that doesn’t seem right to me. It’s imposing very severe limits on God’s plan!

If you do all that stuff but don’t enjoy it and aren’t very good at it and wish night would come - maybe it’s because God always thought you’d be perfect for schmoozing with people down at the flea market or fixing their cars for them. Or even playing video games, if you are passionate about it. One thing leads to another you know.

What do you think, gentle reader?

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The Pig Turns Movie Critic

March 31, 2007
I don’t do film reviews. There’s already enough guys out there peddling important opinions. But I do do recommendations if they fit into the general theme of the Pigsty. What? You didn’t know there was a theme?

First - Amazing Grace, which Patrushka and I saw yesterday. An amazing, powerful film about William Wilberforce, who fought the British parliament for thirty years to outlaw slavery. He didn’t give up for thirty years and he WON! It’s the story of how he did it. OK, it’s marred by a corny subplot about a nice old couple who are trying to fix him up with raving red haired beauty Romola Garai. And I don’t like the marketing campaign which is trying to make it into a Christian movie. It’s not. It’s a movie about a guy who is a Christian. The movie’s about standing up to fight to end slavery against all odds - and winning. I came out inspired, revved up - thinking I’ll never give up either! If its playing in your town, go see it and then check in, okay? Highly Recommended.

Second is The Lives of Others. A German film about a little man, a functionary in the East German secret police, who grows up into a big man at the cost of his career. It ain’t pretty - but it’s beautiful. Emotionally exhausting. I staggered out of the theater completely drained. Had to hie to Starbuck’s and sit in a stupor till the caffeine kicked in. After seeing it, I thought, “Thank God for Glasnost. Man, the world really did change for the better.” Highly recommended. And hurray for AMC Theaters, who brings movies like this to a parochial burg like Spokane!

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My Charlie Chaplin Film Festival

February 24, 2007

I had to go to my doctor.

“Doc”, I said, “Something’s wrong with me. I never laugh at comedies any more. I just sit there.”

“Tell me your symptoms, son”, he said. “Well, for instance I saw this movie called Meet the Fockers or Meet the Parents or something like that. People all around me were laughing but it made me hurt so bad inside I had to leave the theater. The characters were so cruel to each other.”

“Hmmm,” says he, “anything else?

“Well, fart jokes don’t make me laugh. Like in Shrek, which was supposed to be so funny. Seemed like the high point was when the ogres farted. I just sat there and waited for it to be over. What’s wrong with me?”.

The doctor ran some tests and fiddled with his electrometer for a while. Finally, he said, “Well, you might try Charlie Chaplin.”

“???????,” I thought, like they do in comic strips.

I said, “You mean the great silent film monolith that every film lover bows to but nobody watches? You mean those silly Keystone cops movies all scratchy and speeded up? That sounds like a duty, not a pleasure.”

“Hey, I’m the doctor,” he said, “And one more thing. That will be $280.00 please.”

Since his advice cost so much, I figured I’d at least try it, so I went down to my local library and checked out The Gold Rush, Chaplin’s 1925 hit starring a bunch of people I’d never heard of, like Mack Swain and Georgia Hale. Actually, I had to special order it from the big library downtown.

But, I have to tell you, within one minute, as soon as the bear fell into line behind the Little Fellow as he danced along the precipice path, I started laughing uncontrollably. And I really didn’t stop for the next 95 minutes. I fell off the couch. I hurt my bottom. Even my cat was laughing. People started peering in through the front window to see what was going on. Then they started laughing too so I had to let them in. I mean it was snowing outside. Patrushka had to get up and make popcorn. And we all watched it over and over all night, screeching with joy.

The Gold Rush is so funny, and so sweet, and so endearing, and the DVD is so clear and crisp. I couldn’t bear to leave. I had to stay and watch it over even though I was in my own living room and everybody finally went home.

Next day I called my doctor, “Doc, I’m cured! It turns out there’s nothing wrong with my sense of humor at all. It’s just that the movies they’re making now are so stupid!”

So I started holding my own private Charlie Chaplin Film Festival/Block Party. We watched Modern Times which I immediately had to watch again and it was even better the second time as I got into the rhythm of it, and I have The Great Dictator ready to go for our next movie night. All from the the Spokane Public Library, which I hereby thank for providing my medicine free of charge.

Hooray for Charlie Chaplin! Finally, I’m laughing again at something besides my own thoughts.

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Gidget and Mimi Farina, Big Sur, 1964

November 17, 2006

Help! I have barricaded myself into my house. Outside, crowds are shouting for more Gidget. More Moondoggie. More beach parties and more Coors Beer in tan cans. And put in more surf boards – those big ones, like Moondoggie used.

Now I have to make good on my promise to write about those strange and magical beings when what I really want to do is sit here like a three toed sloth and listen to Joan Baez singing Sweet Sir Galahad again. Didn’t she ever sing Surfer Girl?

The trouble is I’m a beatnik pig. I never drank Coors Beer in tan cans. When I went to the beach, I went to San Francisco’s North Beach, ‘where there isn’t any water and Big Daddy ain’t your fadder’, as the old song says.

What, you’ve never heard that song? It was very big on Sacramento Street in 1962. Beatniks in peacoats would sing it in unison as they strode through the swirling fog and damp and snailed down the steps into the Ant Palace for another night under the fluorescents watching Officer Bigarini rousting less fortunate beatniks on Columbus Avenue outside the Ant Palace door.

What did we know from Gidget? I went to the movies to see the divine Marie Dubois get shot by that stupid crook in the snow at the end of Shoot The Piano Player.

What? You’ve never heard of that movie? It was very big with ratty student scruff in 1962 as we huddled in our peacoats against the fog and damp of ocean air Irving Street on the way to the Surf Theater to see it for the 81st time.

Sometimes we’d get tired of watching Marie Dubois get shot again so we’d go see Jean Paul Belmondo get shot down in the street like a dog at the end of Breathless because of that traitorous turncoat American itchy bitchy blonde Jean Seberg. Who actually looked a little like Gidget.

Is this clear? Will the lynch mob of admirers outside please go away? Let’s talk about somebody cool instead, like Mimi Farina.

What? You’ve never heard of Mimi Farina? She was very big in the cold plastered kitchens of incandescent Haight-Ashbury flats. Reflections in a Crystal Wind was the name of the LP she put out with her beatnik poet husband who got smashed on his motorcycle in 1966 just when things were really peaking. I can hear it now ringing in my ears along with Donovan’s Sunshine Superman and Country Joe and the Fish’s first album. That was about it for music in our commune the Fall of 1966 thanks to my insufferable roommates the Gunderson twins. Interrupted my studies of the Goldberg Variations, but what could I do? I know. Smoke more dope.

Richard Farina left behind his legacy novel Been Down So Long It Looks Like Up To Me which I still haven’t read. It’s been right up there on my must-read list since 1966. First I have to get through Dune. And The Fellowship of the Ring. That will take me forever. Richard will just have to wait.

Mimi’s legend was huge. I won’t even mention that she was Joan Baez’s little sister. So demeaning to a great lady who went on to found Bread and Roses, the group that brings top music acts to prisons and hospitals and orphanages. She ran it till she died young of cancer a few years ago.

Those Baez girls – unbelievable how they affected all of us. Like there were some people out there who were like us except higher and more beautiful and more noble and could sing better. And knew Bob Dylan.

I saw Mimi perform at a party in Big Sur once. In 1964, when she was about nineteen. Now that I think about it, David Crosby was there too and he was just one more pretty good Big Sur folksinger. But Mimi! There was this air of expectation in the smoke dark rooms of Big Sur Hot Springs. Mimi was coming! Her legend, her mystique was already rife. Joanie’s little sister, she just had to buck up under her big sister’s Queen of the Folksingers aura. Mimi’s actual singing is a blank to me, I’m afraid. I just see her in a pool of saintly angelic light, the scruffy crowd of vikings and timber beasts and grunge artists all hushed and dragging on their Camels as her pure voice sang Cripple Creek or something.

That night we drove to the back of a nearby canyon and hiked up to Crazy Mary’s streamside cabin in the redwoods. It was the summer that word swept though the Underground – smoking Scotch Broom flowers could get you high. Riley Tornfoot and I were in Big Sur to test this hypotheses. We asked somebody what Scotch Broom looked like, then we picked the little yellow flowers all afternoon, stuffed them in a corncob pipe and inhaled deeply. We passed the pipe around to other experimenters. We went outside the cabin to look up through the redwoods at the starry post-Mimi Farina night sky. They glittered no more brightly than before.

Do you feel anything, man?

Maybe. I think I might be feeling something. Give me some more of that.

Or else we would have to drink more Coors beer in tan cans like the surfers did. Actually, beatniks never drank anything stronger than Val-Vin Burgundy $1.99 a gallon.

One more thing, the night before, camping in a field back from Highway 1, we saw Lawrence Ferlinghetti and his girl friend walking through the field. He was wearing a wide brimmed hat and speaking to her of ineffable, wonderful things that we could never know.

What? You’ve never heard of Lawrence Ferlinghetti?

Special thanks to everyone who unknowingly lent me the pictures in this post.
SurfnHula, The web’s best source of collectible Hawaiiana and surfboards
Le Cinema Francais
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James Dean’s Jeans

October 4, 2006

Oh no - not this again! Yes, friends, Jimmy’s trousers sold so well that now someone is putting up his jeans and his teeshirt too. Estimated value at auction: $15,000. To anyone of my generation, that’s cheap. And, astounding to say - Jim Stark, Dean’s character in Rebel Without A Cause, wore Lee’s jeans! In my high school, only Levis were cool. All other brands were worn only by dorks. That singular prejudice has lasted to this day and, after nearly fifty years, I still only wear Levis. I still don’t want to be a dork!

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Wearing James Dean’s Slacks

July 29, 2006

How did that happen? The great teenage angst film, Rebel Without A Cause, has somehow wheedled its way back into Pigland’s consciousness (see comments to the Kerouac/Pig post below). Well, I gave up trying to control the destiny of this blog several months ago. In fact, I am seriously thinking of changing the blog’s name again. To The Pondering Pig and His Pals.. Has a nice ring to it, I think. Sounds like a Sunday funnies comic strip from 1925.

Anyway, dedicated to going with the flow this morning, I have news. Heritage Auction Galleries in Dallas is going to auction the brown trousers from the knife fight scene, a patch from the sportcoat, and the very teeshirt that James Dean wore in that film.

I’m thinking about bidding on the pants. I know I could never fill James Dean’s shoes, but maybe, if I signed up at the gym, I could fit into his pants.