Archive for the ‘1959-1964. Freaks and Baby Beatniks’ Category

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I Pay A Visit To Chet Helms

July 22, 2008

When I was in San Francisco the other day, I dropped by to visit my old friend Chet Helms.  I knew right where to find him thanks to Greg Hoffman, who is writing Chet’s biography and makes it his business to check on Chet’s whereabouts.

The job’s not too time-consuming.  In fact, for the foreseeable future, Chet will be residing with the artists,  musicians, bankers, captains of industry and possibly Emperor Norton at a swank retirement getaway in the Richmond District known as the San Francisco Columbarium.  Except no one gets away.

I stopped at the reception desk to see if Chet was in.  He was.  The receptionist was new and couldn’t tell me his apartment number, but the manager came out of her office when she heard Chet’s name.

“Are you here to see Chet?”, she asked, implying a certain intimacy.  “You can go right up.”  She rattled off Chet’s rather involved address on the third floor and I pawed for my notebook to jot it down.  She had it memorized.

As I walked up the stairs, I could hear workers below pushing a scaffold across the marble floor below and shouting to each other something about Carlos Santana.   I thought, “Oh no, what new bad news haven’t I heard?” But I checked when I got home later that day and Carlos is doing fine.  I guess they just liked Carlos Santana.  I kept climbing.

Chet’s keeping a low profile these days.  All boxed in, you might say.  Not so long and tall as the day I met him in the summer of 1962…(picture gets all misty and we dissolve through to a busy downtown street filled with gigantic cars and buses all spewing exhaust fumes into the bright air)…

That day I was hanging out at a protest on the steps of the main post office at Seventh and Mission in downtown San Francisco, tuning my Mexican guitar and entertaining the picket line with my faultless impersonation of Joan Baez singing I Am A Rake And A Rambling Boy.

I had nothing against the mail being delivered, you understand.  It’s just that the Federal District court was on an upper floor and the judge was hearing the case against the crew of the Everyman, a trimaran that had sailed into waters scheduled for atomic detonations.  Ka-Boom and all the little fishies were to receive their first dose of strontium-90.  It was the age of “atmospheric testing”, and apparently someone still wasn’t sure if H-bombs worked or not, because they kept testing them and testing them.  I thought it was a bad idea.

The story of that protest deserves to be told in detail - it foreshadows all the demonstrations and sit-ins and eventually the mass student strikes that characterized my youth.  But at the moment I’m looking across the street at the Greyhound Bus Station, watching a  tall, skinny young guy with lank hair and black-rimmed glasses come out of the depot, see the demonstration, and hop over to see what’s up.  And, well, look at that, he’s sporting a peace button.  Yeah, it was Chet, fresh off the bus from Austin, Texas.  I had the fortune to meet him on his first hour in San Francisco, scene of so many destinies, including Chet’s and my own.

I hate to admit it but in those days I only associated with people who passed the coolness test, and was quite ready to snub any  impostor with a Texas accent, but I could not snub this cat.  Chet’s ingratiating smile, his little heh-heh laugh, his unfeigned interest in everyone - within an hour he’d made the acquaintance of  most of  San Francisco’s peacenik community - I liked him immediately.  And he was back the next day, don’t know where he slept.  He was standing right in front that night when the real Joanie Baez showed up and sang on the post office steps to encourage us.  Maybe he tried to sign her for a gig at the Avalon, I get mixed up sometimes.

Funny - all those years ahead of him, full of friends and rock and roll and great parties and fame of a sort, but now they’re over.  Now Chet’s residing in a vase, a big doorstop.  Dust, our common fate.  To quote the prince of Denmark,

“Imperious Caesar, dead and turn’d to clay,
Might stop a hole to keep the wind away.”

Oh dear, am I growing grave? At least Chet has his own apartment,  not far from Harvey Milk’s place. And he’ll never have to leave San Francisco again .


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The Baby Beat Photographer

June 23, 2008

In the summer of 1962 I took a course in photography at San Francisco State from Jack Welpott, a modernist photographer of renown.  He said my stuff was sentimental.

His words cut like a knife.  Me?  Sentimental?  No way!  I was bad as they come.  Look at this guy!  That’s me, the very summer of my mortal wound.  I knew the streets.  I knew grifters.  And I knew what sentimental meant.  It meant cheap emotion manufactured to give the viewer a cheap thrill.  Oh, look at the cute little kitten and the big dog is carrying it so gently.  Isn’t that sweet?  Pictures like that were sentimental and I had nothing to do with sentimentality.

Could I help it if every time I looked through my viewfinder there was a sad-eyed vulnerable waif looking lost and forlorn?

I wasn’t taking pictures for a cheap thrill.  I was taking pictures of my friends,  the girl variety to be exact.  That’s how they looked.  So beautiful my heart ached and I wanted to give them to the world forever.  Which I now do.

I wasn’t sentimental like that Walter Keane, the laughing stock of the baby beatnik world.  He and his wife ran an art gallery on Broadway above a topless bar, and sold his  sadeyed waifs with huge eyes to tipsy tourists who stood in line to see.

Bleaah!  Sickening!  Me and Linda Lovely and Sheila Clark and Sneaky Pete and all my way out friends laughed cynically as we passed the Keane-bound crowds on our way to an important meeting standing outside the Jazz Workshop to listen to John Coltrane because they wouldn’t let us through the door.  Tourists!  My pictures were nothing like his paintings.

Oh why, ye gods?  I go forth to capture the true nature of the human heart, and, in particular the true heart of my various girl friends and what do I get?  Your stuff is sentimental!  By a big time modernist like Jack Welpott who must know.  I was crushed.

Even when I went forth to shoot approved modernist subjects like severe nudes with no heads, weathered barns in the gold rush country or Edward Weston barnacled rocks looming out of Pacific tidepools, I got ruined castles, I got broken dreams, I got enchanted princesses in long gowns and wimples sleepwalking though haunted landscapes.

Botheration!  I give up!  I’m a stoopid romantic!  I’d better not tell anybody.

Of course what I didn’t know is that the modernist fever was breaking.  Within a couple years young barbarians would be ransacking junk stores looking for Maxfield Parrish prints, and new poster art would be created by artists who cut their teeth flame-painting ‘49 Mercs.  And not a minute too soon for me.  Eat your heart out, Jack Welpott.

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Leslie In The Crystalline Night

May 16, 2008

One night in December 1961, Leslie Hipshman and I were driving across the city at the rainbow’s end in my beat-up Studebaker Lark. We weren’t on a date of course. Dates were uncool. It was just an ordinary Wednesday night in San Francisco and for some reason lost in the mist we were hanging together.

The night was cold and crisp – not crisp like eastern autumn nights when the leaves are falling, but crisp in clarity, the light exact, deep-focus, like it gets in San Francisco after a December rain and a windy afternoon. There was nothing left in the sky but clear sea air flowing over the downtown stockbroker’s offices, the Fillmore conk salons, and the desolate streetcar tracks of the Sunset.

We weren’t supposed to be together. Leslie was going with Don Auclair, the leader of our peacenik brotherhood. Against my will, I was ending a painful love affair with a seventeen year old beauty from Riverside, Carmen O’Shaugnessy. But neither of them were in the car. There was just Leslie and me cruising through the clear eternal night at the rainbow’s end listening to somebody singing how he didn’t like his mother-in-law and wondering what to do with ourselves.

I knew what I wanted to do, of course. I wanted to park somewhere and hold Leslie tight. Leslie waves beat against me like radio signals. They came in clear as the air: “I’m young, I’m beautiful, my skin is like satin and my hair is shiny black. I’m very, very delicious. And I like you too.”

But…you had to let these things take their course. Forcing yourself on someone was uncool and could lead to an unfortunate outcome. Besides, I didn’t have designs on Leslie. We were just together, that’s all. She couldn’t help owning a powerful radio transmitter any more than I could help having a receiver that worked really well.

Leslie and I had never spent time alone with each other before. Once we’d walked to the corner store together to buy Bugler cigarette tobacco. That was all. So we did what self-respecting young freaks did in the winter of 1961 when they weren’t on a date – we headed for the wasted remains of North Beach. The era of the beatniks was over and the era of the hippies hadn’t begun, yet we knew we were as happening as the beats had been. We just hadn’t had a chance to show it yet. We were drawn like moths to the flame. But the flame had burned out.

Upper Grant Avenue, scene of epic cultural battles when Lawrence Ferlinghetti and City Lights Books stood trial for publishing a dirty poem called Howl, where Officer Bigarini had arrested beatnik chicks for wearing sandals in public, where poets like Bob Kaufman and Gregory Corso and of course Ginsberg had broken free from writing airy martini-driven university puzzles like professors required me to study in English 101 and instead shouted visions of backyard greentree cemetery dawns on street corners or riding the Muni or standing in the smoke filled Coffee Gallery declaiming while Jack Kerouac ran to the deli for more dago red. Upper Grant Avenue in its quiet desolation was our link to the mighty heroes of old, whom we would never admit we sought to emulate. We were just going to get something to eat and look for our friend George The Beast.

George was the biggest beatnik we knew. Of course, since I was nineteen and Leslie was seventeen, we didn’t know too many. I was pretending to go to college at San Francisco State and Leslie was still at Lowell High School, but George – George was living the full-bore life. With his army fatigue jacket and single gold earring, his hypothetical parrot on his shoulder, and his magic to make everybody laugh with joy at anything, George was the dog who trotted freely in the streets. Maybe he wasn’t up there with Ginsberg and Corso yet, but hey, those guys were in their thirties already and George hadn’t hit twenty. Meanwhile, he slept where he could and cultivated acquaintance with the rotters, pimps, poets and crystal merchants who congregated in the Hot Dog Palace after midnight.

We found a place to park on Commercial Street jammed between a vegetable truck and a red zone. Out the door lay the land of tong wars and Fu Man Chu, of sweat shop lights glimmering behind curtains in the night, of dripping dried chickens and squirming fish in the butcher shop windows – Chinatown, the penultimate scene for San Francisco romance and I was walking though it with a beautiful unknown continent beside me. Before us lay the tiled stairs that lead to the coolest of Chinatown’s cheapest restaurants, Huey Gooey Looey, where the beat elite meet to eat.

Ah, where are the cheap Chinese restaurants of yesteryear? While you’re looking it up, I’ll tell you where Hooey Gooey Looie is. It’s buried under the weight of Chinatown international credit. It’s a bank. Even the steps leading to its florescent lit, subterranean depths are gone. Like George Bailey had never been born. Like Mister Potter had won. Like I imagined the whole thing. (Don’t worry too much about it – there are plenty of new ones.)

But in the winter of 1961 and for many years thereafter, Huey Gooey Louie’s was the restaurant of choice. Nowhere were the waiters as surly and the chances of meeting someone you knew as likely as at Huey Dewey Louie.

We slid into a red vinyl booth, ordered fried wontons with sweet and sour sauce, and leaned back, maybe wondering who that person was sitting across the table. I’d moved into the peacenik flat at 311 Judah Street a month before to live at the nerve center of our scene, and Leslie had come with the territory. Leslie was involved in some minor way with Don Auclair, the big dog of our little scene. Don was a couple years older than me, he was tall, he was brave and bold, he rode a Triumph Bonneville, he’d walked from LA to San Francisco on a famous peace march and been arrested for it. He knew all kind of ways to get high using legal substances like lighter fluid. He was a player and I was a beginner. It didn’t matter that he had a gentle spirit and a sweet smile, he still intimidated me. But I would never let it show, of course. To see Leslie and her pals Riley and Teresa ensconced on Don’s mattress playing guitar, listening to Joan Baez or Ray Charles, was as normal as looking to see if anyone had done the dishes yet.

One other thing I should mention about Leslie. She happened to have IT, as they used to say about twenties movie star Clara Bow. She wasn’t exceptionally beautiful. She didn’t attempt to be sexy or provocative. But something about her made young guys like me turn their heads to see her walk by. Perfume emanated from her that you couldn’t smell, but it smelled good anyway.

Now here we were at Huey Louie Gooey’s, leaning back, waiting for the wontons, waiting for the world to end, waiting for our lives to begin, and talking about the inconsequentialities of the day. Some friends in the peace movement were going to drive across the country over Christmas break. We were going to march in front of the White House waving placards and chanting and not eating anything for twenty-four hours and being non-violent about it but still making a little mark against death from the skies. We knew it was hopeless. But we couldn’t just sit there.

Leslie couldn’t go but I thought I would. Then we moved on to Joanie Baez, whom we loved, and Miles Davis and John Coltrane. Her father collected jazz records; she’d grown up listening to the greats. She even knew about the Dixieland guys from long ago. That was cool. I liked a girl who stood up for something, even if it only Dixieland jazz.

I don’t think I had noticed before how intelligent she was, how full of brimming life, eager to experience the full range of human possibility. Restless, reckless, a little crazy. I just took it for granted — we were all like that. We didn’t talk about it. And of course I noticed her shining black hair cut in a dutch boy bob. Of course I noticed how she filled her bulky-knit blue sweater against the booth’s red vinyl. Her easy laugh. Even her slightly crooked teeth were cute. Why couldn’t I be in love with her instead of the braided, insane wild child who teased and tortured me, driving me insane too, but my craziness was to want her more and more. Leslie was reckless, but in a different way – I felt easy and comfortable with her.

Like every other restaurant in Chinatown in 1961, Huey specialized in Cantonese delicacies. Besides fried wontons they offered pork fried rice, cashew chicken, seaweed soup with little pink shrimps swimming through kelp beds in the bowl. I’m sure they had more authentic food over on the Chinese side of the menu, but for for Leslie and me, fried wontons were still pretty exotic. After the meal, I splurged and treated her to Hooey Dewey Gooie’s signature culinary delight: shivering, quivering, glistening almond pudding with a nut in the center and a canned mandarin orange slice and a fortune cookie on the side. We took bites from the gelatinous, translucent substance in our bowls as Leslie told me about her life as a hip high school kid. It wasn’t a lot different than my own life as a high school hippie in San Mateo, the suburb where I’d learned to hate suburbs.

On weekend nights, Leslie told me she’d get home by curfew, make a show of going to bed early, brush her teeth, flush the toilet, yawn, then make a body shape from pillows under the blankets and quietly sneak out to meet her beat wannabe friends. No one had a car – so they walked through the city, down to Market Street, or over Russian Hill to North Beach. There they patrolled its back allies to see if any big beat parties were still going on. Maybe one day they’d catch Jack Kerouac running out to the late night deli on Broadway for even more dago red. But they never saw him. Maybe they saw his shadow once.

We were all under his shadow.

Next we headed for Lawrence Ferlinghetti’s great information station for the underground world - City Lights Books. By now we were comfortable with each other and enjoying the night. Finding George the Beast became a handy reason for wandering around the best neighborhood in the best city on the best coast.

Shig was at the counter as usual, leafing doubtfully through some baggy poet’s self-published tome. We checked for George upstairs and down, and poked around the poetry section. I leafed through the new issue of Sing Out! to see if it had the plastic record to hear how the songs sounded if you couldn’t read music. Two months before, high on peyote, I had listened to Joanie Baez sing The Great Silkie on one of those acetate pull-outs, listened to her over and over until it was inscribed in my consciousness. I wanted another one of those little records if I could find it.

George wasn’t anywhere around, so we browsed until we were bored, then crossed Broadway to check the Hot Dog Palace.

The Hog Dog Palace, fabled hangout for meth freaks, junkies, beat wannabes, angel-headed hipsters, posers and hosers, also known as the Ant Palace or the Meth Palace – maybe it was grim, cold, florescent, unsanitary, but it was really really cheap. From its fly-specked windows you could see everything and everybody making it down Columbus Avenue or even Upper Grant if you snuck up the back stairs and peered through the glass door. The Hot Dog Palace stood on the site of Pandora’s Box, which in its day had been a genuine pseudo-beatnik sandwich shop where they served Zen Soup to sip while wearing zen slippers and pretending to read Beat Zen, Square Zen, and Zen. It was kicks, man, kicks! And they kept getting harder to find.

George wasn’t there either, but I saw Pat Lofthouse scribbling cartoons in his sketchbook with a Rapidograph like he always did. And I saw Gypsy Boots, a street hustler who made his living doing things with other men I didn’t want to imagine. Gypsy was shoveling quarters into the jukebox like they were slugs. Maybe they were. I guess he was in the mood for Bright Lights, Big City, because we heard it three times in the ten minutes we strolled from table to table.

Looking for George was getting boring. We decided to walk on up Grant Avenue. There were no more hangouts up that way unless you were over twenty-one. I wondered if Bria was in the Anxious Asp. She was the first Lesbian kid I knew I knew, and she could pass for twenty-one. She was usually drinking in the gay Asp or somewhere nearby.

The question in my mind was – should I take Leslie’s hand? Were we at that point? I wanted to. I liked her. But…well…I didn’t want to look uncool in her eyes. Cool people didn’t hold hands while they walked along. That was it. Unfair, but true. The rules were the rules.

The moon rose, silvery and full, its mysterious light rolling past us as we hiked towards Greenwich Street. At the corner we passed the laundromat that had been Pierre DeLattre’s Bread and Wine Mission, where poetry and bongos and Jesus and hipsters, made for each other really, had touched and kissed and sadly parted. The moonlight glimmered on the laundromat’s red neon sign 15 CENTS WASH. 10 CENTS DRY. We kept going. Pierre didn’t live there any more.

Such a beautiful night. Why not walk on up the hill, all the way to Coit Tower, the floodlit phallus that pierces the skyline for fifty miles on a night like this. None of the city’s Manhattan style high-rises had been built yet and the City still looked Renaissance, magical, from up there. Let’s go look again.

We turned right up Greenwich. The street was lined with pastel colored narrow flats climbing in the moonlight like in some Italian hilltown, Verona maybe, where Mercutio was stabbed by the Jets while Romeo screamed. Maybe Mardou Fox had lived in one of those flats when Kerouac mourned for her in The Subterraneans. Years later I learned Jack moved his story from Greenwich Village to North Beach because his publisher said it would sell better. Oh, protect yourself, angel of no harm, you who’ve never and could never harm and crack another innocent in its shell and thin veiled pain…the inventor of spontaneous bop prosody had shifted locales at the advice of his marketing director. He’d done it so smoothly I never even wondered.

At the top of Greenwich a narrow staircase leads into the trees. We climbed on through the spooky city park darkness. Did I touch her? Our spirits were beginning to touch, just a little. Spidery tendrils of…what? Friendship? Understanding? Whatever it was, we were wrapped in it, and it was nice. The tendril webs were going to prove strong enough to link us across the continent as we tossed through squalling marriages, and stayed strong enough to urge me to to keep her letters for nearly fifty years. I’m not sure those spiderweb tendrils have a name, but they wrapped round us like ectoplasm. They weren’t named romantic love, and surely not just friendship — you don’t want to hold a friend tight in the moonlight. But whatever it was it felt good. I had enough problems with passion at the moment. Who needed more?

We eventually emerged into a clearing beneath the great illuminated tower, its white stone turned golden by the floodlights. A half dozen couples like us and several melancholy gents perhaps looking for same wandered hither and thither in the moonlight. Leslie and I sat on the damp grass and looked out over the city at the rainbow’s end sparkling crystalline in the December night.

The ramparts of the Shell Building lit in blue-green shimmers, the parapets of the Russ Building flooded with gold shimmers, they beaconed over the Renaissance city like Doge’s towers, papal towers, Aztec towers, Inca towers – over the great city that sprang from the sand dunes on the far Pacific shore. And we were sprung too. Aw, Frisco – how’d you get to be so blessed?

You probably didn’t know native-born San Francisco kids can be just as manic about the town as any fresh arrival from Dubuque. On a crystal December night from the top of Telegraph hill we could feel somehow we’d been accidentally born in the perfect place.

Leslie said, “City’s sure beautiful tonight.”

I said, “Yeah…”

I didn’t mention the other nights I’d sat here, usually with Ricky and Parm, my high school pals, occasionally with a girl. Leslie didn’t go into her past either. The light descended upon us and into us. I had no plans beyond loving this night, this city, this sweet girl beside me – all in pretty much the same way. Generalized and without any particular future.

We thought we knew what we wanted. Leslie wanted to be free from sitting in rows waiting for the bell to ring, free from her mother’s plans for some wrong future, free to go where she wanted, to find out who she was, who she could be.

I was already free to be blown wherever the wind blew me, if not free from the chains of the skyway. What I wanted was someone to love forever with the freedom of complete equals. Someone who would want to go see where Mercutio got stabbed that starlit night. An adventurer comrade who would also be beautiful and very very hot.

It was eight years before I got her. And she came with kids and responsibilities. I had a lot of growing to do.

We sat there a long time, talking quietly and then not talking at all. Maybe this moment was what we really wanted.

Eventually though, the damp seeped its way through our jeans. It was a week night, anyway. Leslie needed to be home by ten-thirty.

When we hit Greenwich Street again, Les decided to run. She wasn’t really in that much of a hurry. Screw curfew. But the hill was so steep and we were so full of moonlight that when she took off I peeled out after her, catching up and grabbing her hand like we were kids or young lovers in a New Wave movie, running and laughing and trying to go yet faster but stay in step. Cats looked up from their garbage can in surprise. The old man walking his poodle turned to see more of this beautiful girl and the freak with the Buddy Holly glasses trying to beat each other to Grant Avenue. We careened around the corner onto Grant laughing breathless and didn’t stop until we passed the Coffee Gallery where we hugged each other as drunks shouted encouragement out the door and tossed quarters.

We kept going now just walking past The Fox and Hound where we could hear Jorma Kaukonen playing Delta blues inside on his slide guitar. Back past the Hot Dog Palace — through the window we saw George the Beast standing at the counter jawing with Fast Walker. But the night was coming to an end.

Aw, there’d be other nights. Hundreds and thousands of other nights in the city of our hearts where the fog never lifts and the moonlight never ends and the wind blows always bright and clean. George wasn’t going anywhere and we’d be young forever.

We drove across the City again over Russian Hill down past Van Ness and out through the Fillmore to Leslie’s mother’s flat on Baker Street. Miles was blowing Freddie the Freeloader on the radio and the night was sacred.

I double parked of in front of Mom’s place so Leslie could jump out but she didn’t jump out. I didn’t want her to jump out. We were illuminated, bright and I took her in my arms and we kissed. We took a long time. We could have kissed forever as far as I was concerned. But then it was over and she did jump out and in though the door and she did look back at me before diving through, Hi Mom! I drove back to 311 Judah levitated one foot off the front seat.

Did we fall in love and live happily ever after?
Did we save up together to go find where Mercutio was stabbed?
Or did the wild child Carmen O’Shaugnessy finally break up with me forever and
then did I finally completely disintegrate and catch mononucleosis and go home to recuperate in the suburbs and
there did I meet a girl at a party in Burlingame and
didn’t we split for Pacific Grove three days later and
didn’t she get pregnant that summer and
didn’t we marry and live together in love and misery and
didn’t Leslie run off to New York with Peter Van Gelder when she turned eighteen and
didn’t she get pregnant too and
didn’t she give up her son for adoption but find him again years later as
I found Leslie’s letters again in a dusty box and put them on the blog and
didn’t we meet each other again one time more when we’re old?

Would it have been better if we had found George the Beast and gone off to his hotel room and smoked pot all night? Or if Leslie had caught a cold and stayed home?

What does this scanty story mean, anyway? Why go sit under the moon observing a city with no clouds when you could be making money, lots of money? For that matter,
What is the meaning of life? I have no idea of course, but it might have something to do with the little tendrils that might creep out in the moonlight. Sometimes they grow into strong cables like the ones between Patrushka and me. Tested and true, no matter what. And sometimes they never grow beyond a tentative little spiderweb. But either way – they’re the best things God gave us poor humans. Nourish them. They make life worth living.

Photo credits:Coit Tower Moon: Dan Heller Photography; Chinatown restaurant: Dizzy Atmosphere’s Photostream; North Beach Hangout: Jerry Stoll from I Am A Lover copyright 1961

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Letter from Leslie in the East Village - 1963

April 29, 2008

Put on some Miles before you start reading. Maybe Generique, or Blue In Green. Whatever it is, make sure it’s about neon cities late at night, cold coffee, looking backwards at your mistakes and, well, melancholy. Leslie’s letter lays on the desk before me like a French new wave movie starring Jean-Paul Leaud and Anna Karina, black and white and in slow motion. It was a dark time. Acid rock and the Summer of Love were a long ways away. Leslie is purely natural, purely herself, purely her persona, but all the star-crossed young bo and beat lovers of a hundred years illuminate her pink pages. I can feel the intense drama of being eighteen and pregnant, poor and beat in a unknown, uncaring city as written down by a self-aware eighteen-year-old young woman, burgeoning into a remarkable life. I like this Leslie so much. And I haven’t seen her since 1963…

chris–

it’s still right now and now is rainy east side sunday. it has come to the point where rainy days are almost my favorites–i feel so comfortable and i can open our kitchen window and smell everything clean and cold.

how wonderful to get your letter. i am almost scared to answer because you are still thinking of me as i was over a year ago and i have changed i am much deader inside–almost never do i run down hills now. there are none in ny. i am somewhat disillusioned now about things–i had thought that to hitch hike three thousand miles of the united states would be very exciting (i’m afraid i thought of it in kerouacian terms) and i found out that kerouac’s innocence and wonder approached that of a mentally deficient and that i have lost all the innocence and wonderment that once ruled my existence. and now i sound phoney and i hunt for words.

how awful ny is! the first week we were here, i was depressed and sick and cried and bitched. i hated everything about new york–especially the filth and squalor and smells of the lower east side. it did not seem worth the struggle to try and live here. but now i have come to almost like our life.

we have a two room place on e. 12th st. it is in a building behind the one opening on the street, so that we look out on the buildings opposite (from the back they all look like they are made of crumbling adobe brick and i can almost imagine paris) and the wash hanging frozen from the clothesline. our place is very small–one of the rooms is big enough to hold our two mattresses one cardboard carton of over-flowing books and our hi-fi stuff. the other room contains the bathtub, a trunk, the refrigerator (surprisingly new and roomy), the stove (surprisingly free of roaches), two wooden box chairs, the sink, various kitchen materials, and the top of an old captains chair mounted on a wooden box.

this place has become almost the entire center of my existence. i stay in here almost all day except when peter drags me out to get a beer or shop or try to score. i have decorated the walls with pictures and i cook and read and listen to the fm and most important i write letters–the letters i get and write occupy my attention the greater part of everyday.

when we do go out, we usually have no money to spend and so sometimes we just walk–along the edge of the east river and look at the dirty red factories and smokestacks that is brooklyn or up 2nd avenue and look at the antiques shops or through the unbelievably tall buildings and hustle that is uptown (grand central station is a wonderland of towering ceilings and marble pillars) or we walk down avenue c past 7th street and look at the fruit and vegetables and kosher foods of the street vendors or 14th st., a market street that stretches forever with countless discount places selling cheap perfume and scarves–woolworth’s run off on a monstrous mimeo machine.

and even greenwich village, looking so much like north beach only even more vulgar and without the charm of hills and alleys and coit tower. no italians–just millions of frustrated teenagers and stereotyped girls with long hair pierced ears and capezio boots. angry young negroes dykes with italian cut trousers and so many 15 year old girls high on amphedamine and sitting in basement folk singing places.

and i am with child–gloriously pregnant–and happy about it even, afraid of becoming an example of maternal docility. i am reading have read summerhill and i am full of hopes of raising a beautiful brilliant nuerosis free child. and ever peter is beginning to enjoy the idea. pregnant women are almost morbidly depressing.

and so–perhaps a mistake–i (and peter) will be coming back to sf in early march, if possible. i miss everything so much. there are a million things for me to do and a million places to see again. so many hills to run down and hills to sit on.

please tell me how your life is. i love you still.

leslie

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A Letter From Leslie OnThe Road - 1962

April 16, 2008

Leslie H. was a sister in our little San Francisco band of dirty Peaceniks. I lost touch with her years ago so I can’t ask her for permission to print this letter to me. But it’s a document well worth sharing - it seems to me a brilliant picture of The Life, as we baby beatniks conceived it in that long ago year of 1962.

I don’t have much left from that era, but God is gracious, and left me this letter. How can I not share it with you? That it still exists is a minor miracle.

Leslie is eighteen and on the road with Peter, her lover (they married later, a true-love match.) She’s living the life we loved. The long hitch-hiking journeys, the drugs, a bit of the world-weary feeling I associate with those unpsychedelicized times, the uncapitalized sentences, the eternal ongoing planning of adventures to come. And of course - the literate self-awareness and ability to express herself well on paper.

Together they make up the essence of my times, kiddos - welcome to the winter of 1962. The day I received it the snows were beginning to fall over Long Island and the first winter rains were pouring into the sewers of Lily Alley, San Francisco.

I’ve added a few links to references that may be obscure today.

christopher christopher christopherhow happy i am to get your lawn letter–i’m childishly delighted and even overjoyed. here for the last couple of days i had been, not homesick, but kind of surprised and sad at being 3000 miles away from anyone who really knew how i function. (this is the result of being bored silly and therefore starting to take it out on peter, but trying not to, because he really doesn’t react well to threats of leaving or not sleeping with him at all.)

all this culminated last night with peter pouring chocolate milk shake on my head and i throwing my newly acquired enovid out the car window. i cried myself to sleep thinking of the past with the help of three seconal. but all is slightly better this morning–peter and i woke up early and talked and made love. so i have made him his breakfast, listened to e power biggs playing bach’s royal instrument (the organ), finished sanding, oiling, stringing, and tuning our new guitar–we took off all the mexican finish and wanted to leave it like that and oil it, but we ended up some how putting mahogany varnish on it–, and teaching myself bach’s minuet in g major on the piano and guitar.

a new thing for me–a snow storm the other night. if i had been younger or marguerita i would have run outside in it naked. now the snow has been here for two days and it is melting and looking a bit soiled.

we have been here for three weeks and i haven’t yet seen new york city, which is why i think we hitched out here. i can’t really remember why we came anymore except it has something to do with rolexin and the president and me and peter and new york/and cuba and kruschev and bombs

once i had a job for two weeks where i had to type all day.

i could tell you what happened to us hitch hiking and the people we met and what they said but it is not really very interesting or xxxxxx

(typing fades and gets scratchy-looking)

What is wrong with the fucking typewriter?

(she switches to pencil)

i will use a drafting pencil for want of a pen.

(she switches to blue ink)

i found a pen - i don’t like it

(this time she switches to black ink with bold point)

here is a fountainpen. i’ll use this.

anyway my point was that before i started i thought that hitch hiking to new york would be a great adventure and it wasn’t at all just mostly cold and boring. i have lost all my faith in jack kerouac.

we did meet some wonderful people in madison, wisconsin. They were students and mostly hippies but some cool - not cool really, but sweet. peter and i set out to close the university of wisconsin by turning everyone on to rolaxin (romilar there) i was introduced to everyone as the high priestess of romilar. we were staying with two great friends of peter’s - sam and john. one night we were all high and someone knocked on the door. john answered it and a man asked - do you have any cockroaches. sam told him - yes, but they’re on our side.

the night before we left i got into a drinking contest with peter. i lost miserably. it’s the first time i’ve ever been drunk. i vaguely remember crying for two hours about my abortion - peter was very sweet and says i really wasn’t too bad. i also somehow cut off a large section of big toe. i am now firmly convinced that pot is so much better for teen-agers than booze.

i don’t want to write on and on and bore you. so i will shortly close.

how are you and linda and expected baby? and working, being responsible, etc.

everyone there except peter’s mother thinks we’re married. address any future mail accordingly. i even have a woolworth’s golden wedding band ($1.00, without tax) i am also maybe pregnant, which is fine with both of us. peter is a very fine person to have babies from.

we have plans. we will be back in san francisco by april (by way of virginia, etc.) and then peter and i will get jobs (if i am not pregnant, i will) save money until june. take a bus to mexico city - some odd $60 dollars (both) and go to mexico city college. my parents will support me - i will support peter. will have baby in mid-August and let a maid take care of him ($15 a month). i want so much to learn things! i mean, at college - therefore a maid for the baby. i am going to see all the art galleries and museums in new york (while peter works - he may be able to get a job as an artist’s model for 7.50 an hour). i am going to learn to really cook - no instant anything. and find a place to practice piano, and look at new york and maybe sew pregnant clothes. - why do i always plan things?

anyway write to me - maybe often. i need it. are you kidding about the naval? tell me about it.

have you seen or heard of riley, teresa, and george. do you have addresses of the first two?

very much love to you - and i will think about you.

[this letter started out fine but it bogs at the end and is incoherent - i'm sorry]

leslie

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Pig Of The East Village

April 6, 2008

The talking pig and his Russian princess bride are back, so let the party roll!

We got in about 1:00 AM Friday morning after a circulation-sluggishing, butt-deadening, headache-inducing transmigration of the continent. Maybe the guys in the wagon trains had it right. Except neither of us got cholera.

We’ve been in New York. In the East Village to be exact. I was there to study the ways of sonic youth, the kids who wear tight black jeans with red canvas sneaks and heavy grey hooded sweatshirts under black denim jackets while crossing Positively 4th Street to somewhere romantic holding paper cups of Greek diner coffee while checking their ipods for the proper sound track.

Perhaps this is the romantic little shop they have in mind. Maybe they’re on their way to see the Baroness! With her special Love Potion No. 9, sonic youth can meet their own mini-dressed easter bunny nuns.


We, however, were on our way to see the Baroness’ cat Stripey.


Stripey is an elderly cat. She’s seen them all pass her window: the beatniks, the hippies, the punks, the skunks, the junkies and the flunkies. They came, they got old, they OD’ed or went home, and more got off the bus. I was one myself.

When I arrived in the East Village in the summer of 1961, Bob Dylan was the rage at Gerde’s Folk City. I couldn’t get in so I settled for Peter Yarrow the next night. I’d never heard of him. If you’re under thirty, you probably have still never heard of him, but he got big for a while with Peter, Paul and Mary. Later he used to come round the Haight a lot. I’d see him in the Panhandle sitting on a log with his girlfriend listening to Mt. Rushmore or the Dead, still just a normal person.

I stayed on East 7th Street most of the summer with Kirk, a filmmaker I’d met in Mexico the previous spring. I was nineteen. I’d already seen it all. Except I’d never seen a cockroach before. Or a bar-in-the-floor police lock to keep the junkie burglars out. Seen a few jingle-jangle mornings though.

I walked the steamy summer sewery-smelling streets all day. Ate in a cheap dairy restaurant on Second Avenue. Found out about knishes, blintzes, pirogies, kasha, borscht and I ordered more the next day. I drank beer at the White Horse Tavern and paid homage to the bar stool where Dylan Thomas had drunk himself to death eight years before.

I met a girl who worked for the Grosset and Dunlap, publisher of the Nancy Drew series. Her job was to answer all the letters from eleven year old girls to Carolyn Keene, their fictitious author. Jodie was a minion, but an employed minion working for a real publisher and she got to impersonate a famous imaginary author for a living. I was so impressed I got too wasted to walk back to Kirk’s apartment and spent the night in her bathtub.

That’s how it was in those days. Another thing I’d never yet experienced was sex on a first date. There were probably fast girls who did it but, as far as I could personally verify, they were all creatures of legend.


Actually, that wasn’t the only part of me that was raging. My head was raging as well as my penis, and my heart was raging too. Give me love! Give me true love! Give me another burning heart like mine. Give me a star! A burning raging star, preferably a blonde one.

Now I’m back in my little gray home in the west trying to write it all down. While I was gone a girl in tight black jeans and red sneaks came by the blog and commented that my stories were rad and that she admired my being a beatnik and all. Thanks, Maya, you made my day.

We old pigs are supposed to go eat our corn. Doze in the sun. But my heart burns like it always did. It still feels young. I just try not to look in the mirror too much. I need to tell the young ones what the burning felt like in my time, how it feels to grow old but with a life behind you that’s worth remembering. Build my own Brooklyn Bridge across the years between the hip generations. Except hip means something different now. I love all the old beatniks and hippies who come by the blog, but the Pondering Pig is not just for old hippies. It’s for young beatniks too. And middle-aged ones. You just got have a burning heart. Or at least remember the one you used to have.

Photos by Patrushka

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Lucy Lewis

March 25, 2008

I dreamed I saw Lucy Lewis last night,
alive as you and me.
“Lucy, I hardly knew yuh”, I said.
“I came to your dream anyway,” said she.

She smiled, but vague. I dreamed I said…

“I see you, Lucy. I see you walking across the San Francisco State commons in the fog with your dark-haired clone Lenore.

“Why, Lucy, you’re still wearing your black leotards, you’re still wearing your black tights you’re still exhaling coolness like rose perfume, you still even have acne!

“You and George Hunter are still producing the Happening in the Gallery Lounge Spring 1964. You choreographing it, George is making space music for it at the Tape Music Center and it sounds like a snowy midnight somewhere in 1840 or 2140 or out in the galaxy far past the farthest comet.

“I’m still holding your robe! What kind of dream is this anyway? I see black lights, strobe lights every kind of night light.

“You are unearthly and George’s gold front tooth is glistening wet and insane in the black light midnight.

“Who is carrying your crystal coffin? Why, it’s four Rodney Albins all wearing swallowtail coats and stovepipe hats and emanating theatrical gloom! I see. They’re marching the dead march for you until Lenore rises from her coffin like a ghost of love lost and dances a sad waltz in her diaphanous gown with the spotlight reflecting off cases filled with basketball trophies from 1948, 1949, 1956 and your well-trained raven and Edgar Allen Poe candles

burning my heart and fingers and then

your raven flew down from the trophy case and quoth ‘Nevermore’ no more.”

But you said,

“Who is George Hunter? Who is Lenore? Why am I in your dream?”

And I knew for certainty you lost your memory in sorrow that will never end in this life.

Because we were standing on the fifth floor of the Hearst Building at Third and Market in San Francisco waiting for the elevator and we were saying goodbye because we would never come here no more and I was grieving too.

I was grieving for my tough newspaperman father who had his office on this very floor where he smoked Chesterfields and Camels and bashed out a daily column and put on his fedora and hiked to the Nugget to interview Lola Albright. And I will never see him no more in this life no matter how much I miss him and Lucy Lewis was come to sorrow with me

because she was the angel of grief.

But she had lost her memory.

Photo by Patrushka

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It’s Too Late, She’s Gone

January 24, 2008

Yesterday I learned Beth died. The beautiful girl whose strings are tied into my heart as fast today as they were the last time I saw her in 1968. My sad girl, my wicked girl, a friend who was a lot like me. Somehow I always thought I’d see her again one day and she’d tell me she was all right. She had come through. But she never did.

I first met Beth at San Francisco State in the fall of 1961. I was new on the scene and didn’t know anybody yet. I’d just transferred to State after a season of traveling in Mexico and New York. One night in October or thereabouts I went to an all-night vigil for peace outside the Commons, the schools’ poor attempt at a student union. I brought my Mexican guitar and sang Pretty Polly and We Shall Overcome and There Once Was A Union Maid through the night as the frat boys taunted us and threw eggs. By morning I knew all the peaceniks, the people who became my comrades for next few years, Solveig Otvos, Don Auclaire, Peter Weiss, Bob Kuehn, Eva Bessie, Peter Kraemer, Margarita Bates…and Beth.

Beth didn’t notice I existed, of course. Isn’t that how these stories start? Maybe she smiled at me once, I’m not sure. It wasn’t till months later I realized she was nearly blind without her glasses, which she refused to wear and she probably couldn’t see me.

Somebody invited me to a party on Clayton Steet that weekend, and Beth was there. Some haunting quality in her face drew me towards her. It must been her face because we’d never spoken. To me she was a charming, Audrey Hepburned sort of long-haired, brunette, eighteen or nineteen, mildly pre-Raphaelite, the kind of girl we called ‘woodsie-nymphsie.’ She had a big crush on a pink-cheeked, black bearded young radical named Steve something. She looked longingly at him, I looked longingly at her, and I sang “Oh my love, I’ve hungered for your touch a long lonely time” with great feeling. The party got real quiet. I had a good voice in those days and I knew how to sing.

Well, Beth and I never got together in the way you’re expecting, because Margarita got in the way. Margarita Bates. For now, let me just say she was peerless, I hungered for her magical presence, and Beth disappeared in her shadow - except she didn’t really. Instead, the oddest thing happened. Beth and I became friends.

As my love affair with Margarita proceeded from horror to horror, I found solace with Beth. She understood. She listened. She cared about me. As we got to know each other better, I discovered we also shared sensibilities. We both liked the same books, the same films, the same foggy streets, and we shared the same sliced up feeling inside.

As the sixties slowly burned down to the stub, I was never far from Beth. We spent days together wandering North Beach, drinking coffee in The Enigma or The Hot Dog Palace, playing Desafinado over and over on the juke box, sharing intimate secrets or just gossiping about mutual friends. I called her Ivich, after the character in Jean-Paul Sartre’s Roads To Freedom trilogy.

Late one afternoon in 1962 we were hanging out in Solveig’s place on Page Street. Solveig wasn’t home from work yet and there were just the two of us, listening to the Modern Jazz Quartet on Solveig’s record player. The late afternoon light faded away until there was only the light spreading from the little kitchen. You can guess what happened. Our buried longing for each other took over, and we lay together on the couch in the darkness until Solveig got home.

I felt horribly guilty, because I was married to somebody else, who was pregnant with my child. Cheating on my wife was the last thing I wanted to do, I thought. Turned out I was wrong. We never touched each other again. But I couldn’t keep away from Beth. I loved her.

Funny, I never considered that spending so much time with another woman was a form of cheating.

Beth was never cool, never a freak. She got her BA in English in the requisite four years, married an earnest young carpenter, settled down in an apartment on Downey Street and got a big dumb Afghan dog. She grew fat. She was unhappy. She was a bore. She didn’t go to the concerts or listen to the bands. But I couldn’t keep away from here for long, she was too deep a part of my life. Their apartment was a regular stop on my rounds of the Haight-Ashbury. Her husband got me work on his remodeling crew. By 1967 though, we had lost touch. Our lives had finally diverged too far. It was around then they moved home to Marin County.

OK, my first wife and I eventually split up and by mid-1968 I was living in the Eureka Valley neighborhood. The Haight had become a threadbare circus. The Hell’s Angels and meth freaks were taking over and the original hippies had mostly moved on.

But one morning I was over there for some reason, and standing and laughing on the street with a group of freaks I’d never seen before - I saw Beth. She was thin again. She was extroverted. She was merry. She was delighted to see me. She introduced me to her new friends and I was polite but I could see right away they were creeps, and they gave me the creeps. OK, I admit it. I was a complete snob in those days. Only the original hippies were cool. Everyone else please show your hip credentials before I’ll speak to you. But I knew a creep when I saw one, and they looked like creeps to me. Speed freaks.

We exchanged phone numbers and Beth (who by now was calling herself Lenore) invited me to a party at her house in Marin that weekend. I was playing guitar and singing with Hugh Harris at the time and suggested he come with me so we could try out our new set at the party. Saturday night we drove across the Golden Gate Bridge in Hugh’s VW bug, and soon we were somewhere deep in the redwood sided streets of Corte Madera.

‘Lenore’ met me at the door in a transparent gown with a drink in her hand. Her new friends were eating and drinking and grinning at me, showing off their missing teeth. Scott, Lenore’s husband, was kept busy running out for more beer. While he was gone, Lenore made laughing, snide comments about him. His earnest, straight-forward self was comedy material to her new crowd. There were no other women at the party.

I got the creeps big time and withdrew into myself. Hugh and I played some tunes, I talked with Scott a little bit, and we left early. On the drive back to the City, I realized we’d been dosed with MDA, the “love drug”. It must have been in the punch.

The high itself was nice, pleasant. It wasn’t that. It’s that she hadn’t told me. It was her little joke, a mischievous joke on me.

That was it. I wrote Beth out of life. She shouldn’t have done that. She broke my trust. And I didn’t dig her new friends.

I’ve never forgotten that night, and the knowledge I knew my dear girl was in trouble and I just wrote her off. Why didn’t I say something? Beat her up? Ask her what the fuck she was doing? Listen to her like she’d listened to me. Cared about her. Been there for her.

I was such a hippie. No interference. That’s cool, man. Good-bye.

I looked for her half-heartedly over the years. She’d moved. Changed her name. Who knew? But I always thought one day I’d see her again. And her face has haunted me these long years.

The other day Greg Hoffman mentioned he was going to interview Wes Wilson for his new book. Wes is the artist who basically created the psychedelic dance poster in his early work for the Fillmore and Avalon Ballrooms. I remembered his wife had been Beth’s best friend in those early days at State, so I asked Greg to see if Eva knew what become of her. Last night Greg called me. She’s laying in the ground these fifteen years. From uterine cancer. I’ll never see her no more. It’s too late, she’s gone.

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Peace, Brother

January 18, 2008

I could blame it on growing old, but I know it’s not, not really. I’ve seen them all my life, seen these ghosts. Not jumping out to spook me, just watching me like children in the corner. I think I left San Francisco because I was tired of their shenanigans. I wanted to be someplace new and clean and free of ghosts. Now they haunt my second home New Jersey, too.

Some places are more ghostly than others though, like the corner of Seventh and Judah Street in San Francisco. I cannot walk past that corner without seeing Solveig coming out the door with ‘Ban The Bomb’ placards and banners for the demonstration. She might as well wave at me, but she never does. Or seeing Peter Weiss swinging over the rail of the entry stairs onto the shoulders of one of the teenagers who are crashing our big peacenik party. And whomping on him in peacenik joy. Or seeing Margarita emerge from the front archway wearing long braids, my Mexican chaleca and her brassy confident smile.

Who were these people, man? Were they always ghosts? Were they really real once? Is this all a dream?

I wish it wasn’t so gray in Spokane. Grey skies, gray ice down the sidewalk, gray homeless hearts standing aimless forever in the skid row doorways on Third Avenue.

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A Word From The Flapper’s Father

August 22, 2007

Writing The Walrus is a completely new experience for me. I think the last time I tried to write a long story I was barely nineteen years old and living in San Miguel de Allende, a little town in the hill country north of Guadalajara. It was a magnet for American and Canadian artists and writers in those days and a big part in my passage from being a baby beatnik to being a real beatnik. The story was called Sunday:Twilight and featured a beat poet named Bruno who fell in love with a beautiful French girl but then her mother died and he couldn’t comfort her because of his own alienation and he was left sitting alone in his North Beach room looking out at the dusk. Or something like that. I left the story in some Victorian flat or another long ago. I wish I hadn’t.

Anyway, I think you guys must be okay with The Walrus too, because my numbers are staying steady. But I miss the old camaraderie we used to have around here. We haven’t had a good squabble since Madonna and I decided to fight global warming over a month ago. I don’t much like squabbling but I do miss everybody coming round and hanging out like in the old days.

So I figure maybe I’d better do some pondering here from time to time and not let The Walrus just take over the blog. But I’ve gotten a little obsessed with the story. It’s what I ponder about. Who are these characters anyway? What relationship do they have to actual people I knew and events I saw? How do you create a plot that doesn’t take over but keeps people reading? Mainly though, I just let my inner clerk go down into my subconscious, rummage around, and bring up whatever oddment he will. It’s pretty fun.

Maybe I should start writing abut Kiva and social justice issues again. I still care. But it’s Sunday twilight and it’s raining outside and I feel like curling up and reading my book about Philo Farnsworth, the guy who invented television. As Paulie Ratskiwatski says, “You never know.”

Photo credit: Portland State University